990. ‘Real to Me’, by Brian McFadden

In which former Westlifer Brian McFadden goes solo, with a classic ‘I’m not in a boyband any more’ record…

Real to Me, by Brian McFadden (his 1st and only solo #1)

1 week, from 12th – 19th September 2004

I must admit I have no recollection of 10th March 2004, the day that McFadden announced his departure from Westlife. I remember the hysteria around Take That splitting, and I know exactly where I was when I heard that Geri was leaving the Spice Girls. I even remember finding out that Zayn was leaving One Direction, though that was more to do with a class of twelve-year-old girls I was teaching at the time. Brian quitting Westlife, though? Nope. Were there headlines? Helplines? Probably not. Still, off he went, making his intentions clear by hiring Robbie Williams’ long-time songwriting partner, Guy Chambers.

‘Real to Me’ has a self-important title that doesn’t bode well, and opens with a piano line that suggests we’re in a for a tortured ballad; yet in all honesty isn’t as bad a record as I remembered/expected. It’s basically an upbeat Westlife song, with a vaguely Britpop-ish, ‘90s alt-rock production. And a guitar solo! Which is always welcome these days.

I have a harder time getting on board with the lyrics, although I do like the opening line: Bullshit dinners and the free champagne… It’s such a stroppy, ‘look at me I’m swearing’ protest against Louis Walsh, Westlife, and all the granny-baiting ballads. (And he chickened out by changing it to ‘showbiz dinners’ for the single release.) The rest of the song is a list of complaints about how life in a boyband, with all the hotels, aeroplanes and dressing rooms, isn’t as fun as it looks. Well, duh. I don’t doubt he had his demons, but ‘successful pop star complains about being a successful pop star’ is a tricky genre to make palatable. Maybe just save it for your therapist?

And then there’s the middle-eight, which almost obliterates any goodwill I have for this song. Brian lists all the things he plans to do now he’s broken free of the boyband rat race. Picnics in the garden… Drink some English tea, Then I raise up my finger, And watch football on TV… Sheesh.

It’s cruel (though perhaps accurate) to suggest that the bullshit dinners and free champagne wouldn’t be a problem Brian had to wrestle with for long in his post-Westlife career. Robbie Williams he was not. ‘Real to Me’ squeaked a week at #1 with one of the year’s lowest sales, and he managed two more Top 10s from his debut album. After that zilch, though he’s fared slightly better in his native Ireland. Since 2016 he has been a sometime member of Boyzlife, with Boyzone alum Keith Duffy. To his credit, McFadden has never rejoined his band, as so many boyband quitters eventually do, and hopefully he is enjoying a quiet life, and a peaceful level of anonymity.

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2 thoughts on “990. ‘Real to Me’, by Brian McFadden

  1. I like this record, mostly for the production and the other Guy Chambers touches, the lyrics thankfully mostly swept over me, he’s no Robbie Williams and yes rich pop stars moaning about their lot in life isn’t something 99.9% of us can identify with and they really ought to stop and think rather than react emotionally to moving on with peeves rather than focus on the good stuff. The life of a celebrity is full of stress and temptations best avoided, and young people arent always equipped to deal with that with the managers they often end up with – but that’s where family and friends come in hopefully! It can’t be that bad for most of those without mental problems or else they would do a Bobbie Gentry – that is, retire and disappear forever never to return. Nobody even knows for sure if she’s dead or alive 50 years on, though one might expect the royalty checks must be being cashed by someone.

  2. When I first saw the artist, I was like…who? Then I read the opening of this post and it made sense, oh, it’s one of the guys from Westlife, this is him trying to become Robbie Williams or Justin Timberlake or Ronan Keating.

    I actually can’t believe I’m saying this, but I enjoy this song. Not a favourite but it’s better than I expected. Did not expect this from a member of Westlife . The lyrics are whatever, but I really like the sound of it. It’s got a early 2000s post-alternative/pop rock sound to it, something I’d expect from Matchbox Twenty. Adult alternative sound. It’s even got a bit of prominent guitar in it which I’ll always like. Actually, it sounds like a bit more commercial version of something I’d hear on Coldplay’s X&Y album.

    It’s quite catchy, it has decent production, his vocals are perfectly fine on it. I like it. I’d take it over most Westlife singles honestly.

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