Should Have Been a #1…? ‘They Don’t Know’, by Tracey Ullman

Thanks again to our guest writers this week, who have donated fine posts on the Stones, Wizzard, ‘Crimson and Clover’, and the very concept of being ‘number one’... Our final guest post of the week comes from Kevin (AKA freddybobs) with the record he wishes could have taken that final step up to the number one position. And it’s another classic…

As in sport, getting to number one can grant you immortality, but the runners-up are yesterday’s jam in no time at all. So it is that ‘Karma Chameleon’ is still ubiquitous 40-plus years on, but you never hear a song that it kept pegged at number two for two weeks in the autumn of 1983.  I speak of “They Don’t Know” by Tracey Ullman.

They Don’t Know, by Tracey Ullman

#2 for 2 weeks in October 1983, behind ‘Karma Chameleon’

I think it’s one of the great love songs. No, I really do. It’s not a power ballad, because it doesn’t need to be. There’s no desperation or yearning or heartache to tell of; it’s a simple and joyful paean to young love where the only thing that matters is being with that one person, regardless of what others think. Because you know, and they don’t.

Kirsty MacColl was nineteen when she wrote it, and took the original version all the way up to #62 in 1979.  Some prefer her version, but for me Tracey’s cartoon-character voice sounds younger, and contributes to the overall feel of wide-eyed innocence.

The song opens with wedding chimes, lolloping piano and Tracey singing wistfully about her love for her own Prince Charming despite the disapproval of everyone she knows.  The words she uses describe something universal. I get a feeling when I look at you, she sings.  We don’t know what that feeling is, but we definitely recognise it. And her friends? When they look at you, they don’t see what I see... These are not complicated sentiments, they’re very simple; but they say more about the helpless joy of young love than a dozen Celine Dion songs ever could. And ultimately, the denouement: They’ve never heard of love.  No, they don’t understand; they couldn’t possibly. 

The song’s innocent feel is enhanced by its strong ’60s and Phil Spector influences. There’s definitely some Ronettes or Shangri-Las there, particularly in the “do do do” backing vocals in the middle-eight – ironically from Kirsty herself – as is the “Bay-bee” crescendo, a couple of notes that Tracey couldn’t quite reach…

The song was accompanied by a cheap and cheerful video featuring Tracey getting ready for a date at the bowling alley, blotting her lipstick with the Marc Bolan pics on the wall and pointing excitedly at her engagement ring. Then she sees his terrible attempts at bowling and grimaces at his awful shoes, but it doesn’t matter; she loves his faults as well. At the end, she’s wearing slippers at the supermarket; she’s dowdy, with a child in the trolley and another on the way. But “they” weren’t proved right. She fantasises about Paul McCartney and rolls her eyes when her moustachioed hero pinches her ass, but her joyfulness is undiminished.

And that’s one of the two elements that make this song so poignant. The song captures a feeling that everyone has at some stage or other, but yes, it’s bound to fade. No-one wants to live with that intensity forever, but it’s a shame it’s gone. 

The other element, of course, is Kirsty MacColl’s death aged just forty-one in Mexico in 2000. She debuted with her version, and the whole premise of the song – embarking on one of life’s great adventures – mirrors her own tentative steps into the music business.  And tragically, she died while there were still so many adventures ahead of her.

‘They Don’t Know’ was the second of three top ten hits by Tracey Ullman in 1983. She had a couple of minor hits in 1984 and then decided her pop career had probably peaked. So she resumed her comedy career to great success in the USA, where of course she premiered ‘The Simpsons’.

But yes, this stalled at number two behind ‘Karma Chameleon’, a frothy and lightweight zillion-seller, condemning this fabulous song to be forgotten before that year’s Christmas decorations were up. No-one ever said it was fair, but it would have been nice if Tracey and Kirsty had sneaked just a week from Boy George. For young lovers everywhere.

Thanks again freddybobs, and everyone else who has contributed a post, a like or a comment this week. And to everyone who has voted in our ultimate #1s polls below, too. There are still 24 hours to vote before I reveal the results, and it remains close!

11 thoughts on “Should Have Been a #1…? ‘They Don’t Know’, by Tracey Ullman

  1. I love Tracey’s cover of They Don’t Know – a great song done well and that video is fab. In my personal charts of the time Karma Chameleon got to the top spot too – but not until Tracey had had 2 weeks on top, and they only had one week. I think that’s a fairer representation of what should have been 🙂 Good choice Kevin/Freddybobs! Breakaway is nearly as good too, and Move Over Darling might not have been quite as classy as Doris Day, but it introduced the song to anyone who hadnt seen the fun film.

    Losing poor Kirsty so young was a real shock, especially given the tragic circumstances they were on holiday for, and her action to save her son. Just terrible injustice since too…

    • Thanks everso. Just reading it back yesterday, I was probably harder on Karma Chameleon than I was intending to be – the vagaries of trying to get the word count down! I called it “lightweight” and “froth”, but only in the sense that that’s typical of pop, and Karma Chameleon is a pure pop song. But yes, I think your charts of the time would have been a fairer representation of the two records’ merits! I think Tracey could have done more, but music trends changed so quickly in the early 80s, and what with her relocating to the US, she did the right thing in re-focusing her career, I think. And yes, the circumstances around Kirsty’s death were tragic, and so avoidable.

  2. Very perceptive post. I admit I preferred Kirsty’s original, but Tracey did a good job in bringing it to a much wider audience. It’s quite amusing to think that Kirsty was on hand to help out on the high notes.

    • Thanks very much. I think Kirsty’s version is great as well. It’s funny, I never noticed that there was a different voice on the “Bay-bee” bit before – but once I found out it was Kirsty who sang it, it became obvious. There’s a husky timbre to it that is so clearly Kirsty’s. Very gracious of her to do the backing on the song as well – I mean, yes, her royalties went up as a result of the success of the song, but singers with a bigger ego would never have played second fiddle on their own song. And I’m so glad she did, because the song is too good to have been hidden under a bushel.

      • Wonderful post. I absolutely love this song…I remember MTV in America playing it like crazy. It was so different at the time….a good sixties style pop song. It was my introduction to her and later in the decade I would watch her show. I did like Kirsty MacColl’s version as well.

    • I think there’s not much between the two versions of ‘They Don’t Know’. Tracey’s cover is very faithful. I would also give a shout out to her cover of ‘Sunglasses’ which was a smaller hit around the same time. Pure Wall of Sound brilliance.

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