1027. ‘Nasty Girl’, by Notorious B.I.G. ft. Diddy, Nelly, Jagged Edge & Avery Storm

In 2005, we had a belated, posthumous #1 for 2Pac. In early 2006, another famous, and very dead, nineties rapper makes their first and only appearance on top of the charts: the Notorious B.I.G.

Nasty Girl, by Notorious B.I.G. (his 1st and only #1) ft. Diddy (his 3rd and final #1), Nelly (his 4th and final #1), Jagged Edge & Avery Storm

2 weeks, from 29th January – 12th February 2006

It’s fitting, in more ways than one, that six months elapsed between their turns at number one, as that’s how long passed between their deaths. 2Pac’s murder came in September 1996, before Biggie was slain in March 1997 in a similar drive-by shooting. Rumours abound that their deaths were related, given the feud between the two that had gone on since 1994.

Unlike 2Pac, whose ‘Ghetto Gospel’ was hard-hitting social commentary, ‘Nasty Girl’ doesn’t have such worthy ambitions. The title gives a big hint, and yes, this is filth. I remember the soulful groove, and the catchy chorus from the time (this was my 20th birthday #1), but I don’t remember it being so dirty. I must have been hearing the radio edit…

B.I.G. delivers the first verse, a sample from a song of his originally called ‘Nasty Boy’. Fingers in your mouth, Open up your blouse, Pull your g-string down south… is one of the cleaner lines, but it’s my favourite of the three main verses. Biggie has a brilliantly languorous flow, that makes him sound like he’s rapping direct from the bedroom, presumably in a silk nightgown.

Plus, he’s not Diddy – topping the charts for the third time under a third different name – whose verse makes for pretty icky listening knowing what we know now. Women wantin’ to bone Sean Combs… he brags. Nelly does the third, and again he can’t match the effortless smut of their dead partner. Both these men were appearing on their final chart-toppers.

Elsewhere in the credits – the longest for a number one single up to this point – we have vocal group Jagged Edge, who sing the chorus, while R&B singer Avery Storm gets to harmonise in the background. This makes it one more act than Christina Aguilera et al and their version of ‘Lady Marmalade’.

The video is even more stacked with luminaries: Usher, Pharrell Williams, Fat Joe, Naomi Campbell, and surely many more I don’t recognise, dancing in a club in honour of Biggie. I assumed that William’s must have been involved in the record’s production, as the beat sounds very Neptunes, but he wasn’t.

I do like this song, as despite the vulgarity it’s silly enough, and it does have a very danceable, disco-soul beat. It probably goes on a minute too long, though. It was from an album called ‘Duets: The Final Chapter’, B.I.G.’s second posthumous album. Like 2Pac, he wasn’t short of people making a buck off his legacy, in this case P. Diddy himself, who was the project’s executive producer. Some complained that the rappers he was ‘duetting’ with on the album were people Biggie didn’t care for in real life, but obviously he had no say. Diddy, whose career breakthrough had come thanks to his tribute for Biggie (‘I’ll Be Missing You’), had no qualms.

It’s worth noting that ‘Nasty Girl’ was not a big seller, and in its second week at #1 it recorded sales of fewer than 25,000. Just a month after Shayne Ward selling three quarters of a million to make Christmas number one, we’re on our way to hitting a record sales low…

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1026. ‘When the Sun Goes Down’, by Arctic Monkeys

We move into 2006, with a classic January #1…

When the Sun Goes Down, by Arctic Monkeys (their 2nd and final #1)

1 week, from 22nd – 29th January 2006

A ‘January #1’ being a low-selling one-weeker, making it due to the general sleepiness of the market after the new year, potentially indie in leaning, or alternative in sound. Think ‘Sadeness Part 1’, or ‘Professional Widow’, or ‘The Masses Against the Classes’. Or indeed ‘When the Sun Goes Down’, Arctic Monkeys second #1.

Following their first appearance on this blog, there was some discussion of how Arctic Monkeys’ career can be split into two parts. Pre and post-‘AM’, their hugely successful 2013 album. To Gen Z, and therefore to streaming services and social media, that album is Arctic Monkeys. Which means their first four albums get overshadowed, forgotten even, in some quarters. It means you don’t hear ‘I Bet You Look Good on the Dancefloor’ as much as you might expect, and you almost never hear their second and final chart-topper.

Which is a shame. Okay, it might not be the most commercial of their hits. It might not be as light-hearted, or as danceable as its predecessor. I mean, it might feel strange dancing to a song about prostitutes, and the ‘scummy’ men that surround them. It’s musically bold, too, starting with an extendedly slow, almost jazzy intro, in which the scene is set (with a lyrical nod to another big hit about hookers, the Police’s ‘Roxanne’).

A minute in, and we snap into a much more trademark, sharp as a tack riff. It’s even heavier than ‘…Dancefloor’, the heaviest riff we’ve heard at number one for a good long while. Like ‘…Dancefloor’ too, the lyrics go from brazenly teenage – They’re all infected, But he’ll be alright – to sharply observant. And Alex Turner’s delivery remains unashamedly South Yorkshire – we get a ‘summat’, and a ‘fookin’ freezing’, while the second verse has an all-time rhyming couplet: ‘Ford Mondeo’ with and he don’t even have to say ‘owt…

The slow, solitary guitar returns for the outro – the song only really comes to life for a minute and a half – and ends on an almost comical, music hall riff. I don’t like this record as much as ‘…Dancefloor’, but I am glad that the band chose something as deliberately uncommercial – both musically and lyrically – for their second single, knowing that there was an excellent chance of it making number one. The video is worth a watch too, perhaps one of the most unglamorous music videos of all time, featuring a young Stephen Graham as a pimp.

Maybe surprisingly, after two #1s straight out the blocks, Arctic Monkeys managed no further chart-toppers. They had plenty of hits from their second album, before their fortunes slowly slipped with albums three and four. Then, as we mentioned above, they returned with the hugely successful ‘AM’ and seemed to become a completely different band. Since then they’ve long since stopped chasing chart hits.

Meanwhile rock music in general has all but disappeared from the Top 40 in the streaming age (‘Mr Brightside’ excepted…) So, once again, we can call Arctic Monkey’s British rock’s last hurrah, bid them farewell, and prepare ourselves for a future that neither rocks nor rolls…

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