The Eurythmics grab their only UK #1, then. One week at the top for an act I’d suggest were worth a few more. But at least they grab their chance here, and deliver a classic. Their sole chart-topper comes in at a hundred miles an hour, with an impressive a cappella intro from Annie Lennox.
There Must Be an Angel (Playing with My Heart), by Eurythmics (their 1st and only #1)
1 week, from 21st – 28th July 1985
La-da-dee-doo-n-doo-n-daaa… That’s what it sounds like to me anyway, leading the way into a song about the joys of being in love. I walk into an empty room, Suddenly my heart goes boom… I always associate Eurythmics with slightly more layered, slightly darker music – ‘Sexcrime’, ‘Sweet Dreams’ and so on – but their biggest chart success came with a pure pop record.
But that’s not to say this is cheap and throwaway. Not at all. ‘There Must Be an Angel’ is quality stuff, all the way through. From Lennox’s opening salvo, through the angelic backing vocals (which I’m guessing are Lennox again – whoever they’re by, they’re impressively OTT), the electronic harp, and the excellent gospel-influenced middle eight, with some clever rhyming: hallucinating with celebrating, deception with intervention… Could this be the activating, All my senses dissipating…? Not many number ones can boast that sort of vocabulary, even if it does sound a little try-hard…
The cherry on top of this great record: a harmonica solo from Stevie Wonder. If that didn’t get you a number one in 1985, then nothing would… This means that as well as his own chart-topper (‘I Just Called to Say I Love You’), Wonder has featured uncredited on three more #1s in the past year (Chaka Khan’s ‘I Feel for You’, and ‘We Are the World’ being the other two).
The video ups the celestial ante even further: Lennox plays a beautiful angel, surrounded by cherubs and angelic choirs, and isn’t sporting her usual cropped hair. (There is an argument for her being the female Boy George, mirroring his androgyny, and they had both featured on the cover of Newsweek the year before.) Meanwhile, Dave Stewart plays a bored – and strangely blonde – Louis XIV watching on.
This is the only chart-topper for the Eurythmics (it bears repeating…), and for either Lennox or Stewart (he is not the Dave Stewart who covered ‘It’s My Party’ with Barbara Gaskin in 1981). In fact, their hit making career as a duo was about to peter out: they’d score their last Top 10 hit the following year with my favourite of theirs, ‘Thorn in My Side’. Lennox would go on to have a hugely successful solo career in the ‘90s, as well as lots of charity work. Stewart would go on to do everything from film soundtracks, to voice acting, to comic book writing.