Our next chart-topper is, perhaps, a bit of a come-down after we scaled such euphoric heights with ‘She Loves You’. I suppose that is a hard act to follow. But The Tremeloes’ debut at the top isn’t without its merits.
Do You Love Me, by Brian Poole (his 1st and only #1) & The Tremeloes (their 1st of two #1s)
3 weeks, from 10th – 31st October 1963
For the second chart-topper in three we get an intro that builds… You broke my heart, ‘Cos I couldn’t dance, You didn’t even want me around… in a way that strongly signals that this is a song about to explode (imagine a huge sign saying ‘Up-tempo Pop Song Ahead – 10 seconds’)… But now I’m back, To let you know, That I can really shake ‘em down… It might, off the top of my head, be the very first ever spoken intro we’ve heard on this countdown.
Anyway, the singer clearly went off and had some dancing lessons, or at least a shot or two of tequila, and he’s returned to let his girl know that he can, indeed, cut some shapes. The rest of the song’s lyrics are pretty nonsensical – standard dance music catchphrases from the fifties and sixties: do the mashed potato, you can do the twist, shake it up, shake it down, a little bit of soul now, do you like it like this… And of course, the big question, over and over: Do you love me? Do you love me? Do you love me? Now that I can dance….? (Watch me now!)
I used to work in the bar of a bowling alley (as you do), and every Saturday night we’d have a live DJ (hi, DJ Brian) and this was, without fail, one of the last songs he’d play every week. Because there is no better song for yelling along to at the top of your voice, when it’s just past midnight and you’re drunk in a bowling alley, than ‘Do You Love Me’. Take the ‘Now that I can dance’ line, and the layered, ascending ‘Daaaaannnnn Daaaannnnnn Dannnnnnccceeee!’ I will find it impossible to dislike any song that employs this device. They could shove it in the middle of ‘God Save the Queen’ (the national anthem that is; not the Sex Pistols one) and it would work.
This was, as perhaps you know, originally a Motown record, released one year before by The Contours. It had been a US #1, but hadn’t charted in the UK. I’ve put a link in for comparing and contrasting purposes. For what it’s worth – as with ‘Sweets for my Sweet’ a few posts ago – I like the Motown original a shade better as a song (the tempo is slightly slower, and I think it’s a song that works more effectively with a vocal group rather than with an instrument-playing band). But… The Tremeloes’ version does have an irresistible madcap energy to it – the last chorus, where all the band members yelp and yell over and under one another, is possibly the rawest five seconds of any chart-topper thus far.
The Tremeloes, and Brian Poole, were the first Beat chart-toppers not to come from the North-West of England (they were from Dagenham, just outside London). This was their second hit, and they would go on to score hits – with or without their lead singer Brian Poole – throughout the sixties. We’ll be meeting them one more time, with a record that’s the polar opposite of this. Though, I do have to say, ‘Do You Love Me’ is a record that wins you over by the end. It would have won me over quicker, I suspect, if I’d had a few before writing this post. ‘Do You Love Me’, if you’ll allow me a moment of metaphor, is like a sloppy, untrainable puppy that’s just made a mess of a houseplant. You want to hate it, and maybe get rid of it, but one look at its loveable eyes and everything’s forgiven.