Christmas Alphabet, by Dickie Valentine (his 2nd of two #1s)
3 weeks, from 16th December 1955 to 6th January 1956
And so we come across something I never considered when I started this blog: the fact that I will, every so often, have to listen to Christmas songs on repeat. When it most emphatically isn’t Christmas. No matter. ‘Tis a burden I shall bear stoically.
The very first Christmas song to hit #1 in the UK is based around a simple concept – an acrostic poem as hit single. C is for the candy trimmed around the Christmas tree, H is for the happiness with all the family… All the way to the final S which is for Ol’ Santa who makes every kid his pet, Be good and he’ll bring you everything in your Christmas alphabet… Repeat. Done. Note that I am not referring to it as the very first ‘Christmas Number One’, as that wasn’t a ‘thing’ until the ’70s and, technically, Al Martino, Frankie Laine and Winifred Atwell have all already had one.
It’s kind of cute on first listen, but quickly becomes so sugary sweet that you begin to fear diabetes. As I mentioned at the time of his 1st number one, Dickie Valentine still sings like an American crooner (apart from when his ever-so-proper English accent sneaks through in the line about the ‘tree so tawl’). And while this little ditty is a world away from any kind of rock ‘n’ roll – from the record which bookended this song’s stay at the top, for example – he is cementing his image as the first British teen idol.
A quick look at the career of Mr. Valentine – which we should do now, as we won’t be hearing from him again – proves this to be true. He made his name singing with big bands, then by impersonating singers such as Frankie Laine and Johnnie Ray. His marriage in 1954 caused hysteria among his young fans, though it clearly didn’t kill his career. An image search throws up lots of cheeky grins, often accompanied by a boater-hat and a bow-tie – a definite ‘cheeky-chappie’. He scored the first and last #1s of 1955 but, like so many of these early chart-toppers, his recording career died a death in the ’60s, and he himself died the most rock ‘n’ roll death of all the artists featured so far: in a car crash aged just 41.
To finish, I do have a little anecdote about Dickie Valentine – and it’ll perhaps be my most tenuous link to any of the artists featuring in this rundown. Years ago (we’re talking early high school, here) I had a friend whose family loved going on cruises. I’ve never understood the appeal of cruises myself, but I suppose that’s irrelevant here. My friend mentioned a cruise they’d been on in which each cabin had – for some reason – a live feed of the ship’s ballroom that passengers could tune into any time of the day or night. My friend was watching it one night – disco night – when an old man, unimpressed by the DJs more modern tastes, walked past the camera and shouted ‘Play some Dickie Valentine!’. I have NO IDEA why my friend told me this uninteresting story; or indeed why I have remembered it to this day. I’d never heard of Dickie Valentine at the time; neither, presumably, had my friend. I suppose it is quite a funny name (‘Hur, hur… Dickie…’). But of all the things in life I’d have been better off remembering… The mind is a strange, strange thing.
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