960. ‘Where Is the Love?’, by The Black Eyed Peas

Straight after asking if we’re ready for love, we’re asking where it’s gone already…

Where Is the Love?, by Black Eyed Peas (their 1st of five #1s)

6 weeks, 7th September – 19th October 2003

A song called ‘Where Is the Love?’, that opens with the line What’s wrong with the world mama, People livin’ like they ain’t got no mamas… might come across a little preachy. But I’ve never found this record insufferable, even after living through its six weeks at number one (more on that later). It is of its time, post 9/11 and Iraq, and at a remove of twenty-three years it feels impossibly idealistic that a band would record a song like this, or that it would be a massive hit.

Also, I do like that within the first thirty seconds the Black Eyed Peas have called the CIA ‘terrorists’, and compared them to the KKK. So this is immediately very different from the flood of patriotic guff that came (mainly in the US) straight after the September 11th attacks. It hasn’t really got a political bent; instead asking simply why we can’t be kinder to one another. A sentiment hopefully most of us can agree with.

Sure, some it comes across a bit like something you might hear at a school assembly, especially the chorus begging for divine intervention. But other bits still ring very true today, in lines like a war’s goin’ on but the reason’s undercover… and wrong information always shown by the media, negative images is the main criteria… The difference between 2003 and 2026 is that no pop stars today would dare make a record this ‘political’, much less have a big hit with it, as they’d get sucked into the culture wars meat-grinder and get cancelled, by one side or the other.

I try to keep my politics out of this blog but, when a #1 like this comes along it can be hard not to. Let’s get back to the music. Black Eyed Peas were a hip-hop trio throughout much of the nineties, and added the vocal talents of Stacy Ferguson AKA Fergie in 2002 to aid in a move to a more pop-leaning sound. It clearly worked, although the real vocal star on ‘Where Is the Love?’ is an uncredited Justin Timberlake, singing the chorus. His record company allowed his vocals to be used, but insisted he be uncredited as they feared over-exposure with his debut solo album having been launched a few months earlier. It meant that, after two #2 hits, he was denied a first chart-topper on a technicality, like Jay-Z a few weeks earlier. He’d have to wait three more years.

Apparently will.i.am, founder member of Black Eyed Peas, worried that ‘Where Is the Love?’ was a sell-out after their straight-up hip-hop albums in the ‘90s. The success of this track clearly turned his head, because within two years BEPs were releasing songs like ‘My Humps’. Then there are the group’s moronic late ‘00s hits, and will.i.am’s even more moronic solo career to come…

On a personal level, this song was #1 when I started university. In fact it was on top of the charts for the first month and a half of my living (and ‘studying’) away from home for the first time. The six weeks this record spent at number one was the longest stretch since Cher’s ‘Believe’ five years earlier, and no song had spent more than four weeks on top in-between. It is the fifth-longest stay at #1 of the decade, and so naturally this record went on to be 2003’s biggest-selling hit. However, the fact that it is only the decade’s twenty-fifth highest seller goes some way to showing how low sales had fallen by the autumn of 2003.

5 thoughts on “960. ‘Where Is the Love?’, by The Black Eyed Peas

  1. Ah, the Black Eye Peas. There was a period in the late-2000s/very early 2010s where they and Lady Gaga basically owned popular music. I have huge nostalgia for their music, particularly from that time period. Recession pop as they call it.

    This is a great song. Even BEP haters can’t deny that. It’s the type of song we could use from a big act right now, calling for unity and love between all our brothers and sisters under the sun.

    • I loved this version of BEPs, and bought Elephunk. ‘Shut Up’ was a great follow-up single, too. The next album had some decent hits, even if ‘My Humps’ showed where they were headed… By 2009 though, maybe it was my age, but I thought they must have had lobotomies. On Elephunk the rhymes were pretty smart, and the beats quite an innovative mix of pop, hip-hop, even latin music… ‘The E.N.D.’, which is a cretinous acronym/name for an album, was just relentlessly dumb. Anyway, I’ll save my ire for when these songs actually feature at number one (plus will.i.am’s inexplicably succesful solo career), but safe to say if I don’t name ‘The Time (Dirty Bit)’ as one of my Worst #1s then I’ll be shocked with myself…

  2. Great record, very 60’s and hippie-ish in it’s peace and love theme. I don’t love it quite as much these days, over-play probably, and Justin should very much have been given a credit, acts get credit for doing nothing much these days sometimes, just for the name-recognition boost, and as his is the key hook it seems a little unjust, so just add one to his list of official number ones, I say.

    BEP, they seem to get a lot of stick these days, and will.i.am did run out of steam in the 2010’s, but I rate a lot of their stuff and offer up as proof Rock That Body, their best record, not a number one, wonderful video, a chart-topper for me and back in the charts last year just because it’s fab. I Gotta Feeling dancefloors will be bopping from this point….

    • Nah Rock Your Body is as annoying as the other singles from The END for me, sorry. I don’t mind a silly, catchy record – as my write ups have probably proven – but the BEP singles from that era just seemed aggressively dumb. The two albums before that had some great pop singles, though. And I can’t say I know much of their nineties hip hop stuff.

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