Fresh from dominating the singles charts in the summer, the ‘Grease’ soundtrack returns to dominate the autumn too…
Summer Nights, by John Travolta (his 2nd of two #1s) & Olivia Newton-John (her 2nd of three #1s) & Cast
7 weeks, from 24th September – 12th November 1978
I really like this song. I like it more than ‘You’re the One That I Want’. But there are a couple of issues that need mentioning before I start gushing. First, and unlike the earlier hit, ‘Summer Nights’ doesn’t work as well away from the film. Who are all these people singing? Why are all these people singing? Second, the backing track sounds a little bit ‘cheap karaoke’ (though that may be due to me hearing this song performed way too many times at way too many cheap karaoke nights…)
OK. On to the good bits. ‘Summer Nights’ comes right at the start of the film, on the first day back at school after summer. Sandy’s still a good little virgin; Danny’s a horny stud muffin. At least, that’s what they want their friends to think… He got friendly, Holding my hand… trills Sandy… She got friendly, Down in the sa-a-and… leers Danny. He was sweet, Just turned eighteen… She was good, You know what I mean… Who’s telling the truth? You suspect neither of them.
As a kid, I loved the fact that ‘Grease’ is far filthier than many seem to notice. I couldn’t believe my mum – a churchgoer who once tried to stop me watching ‘Sabrina the Teenage Witch’ – was letting me watch a film with references to ‘hookers’ and ‘pussy wagons’. (And I just noticed, genuinely for the first time, Travolta’s ‘fingering technique’ on the took her bowling line.) How this has become a high school musical standard amazes me. Meanwhile, looking back now, I love how they really nail the teenage boys versus teenage girls dynamic: Tell me more, tell me more… Did you get very far? ask the boys. Tell me more, tell me more… Like does he have a car? reply the girls.
One reason I like this more than ‘You’re the One…’ is that it’s an ensemble number. All the cast get a look in. Marty gets the ‘car’ line. Kenickie gets the song’s most dubious line: Did she put up a fight?! While Rizzo steals the show with her bored… Cos he sounds like a drag… I like the final couplet the best, as they deal purely in practicalities: How much dough did he spend? and Could she get me a friend?
The very end, though, is reserved for our two lovebirds. Then we made our true love vow… Wonder what she’s doin’ now… (Well I got news for you, Danny…) And then comes the iconic ending, where the fun fifties throwback flips to a Jim Steinman rock opera. Summer dreams, Ripped at the seams… followed by Travolta’s strangely camp Ohhh… and a dog-whistle high end note. Drums cascade and the backing singers rise to the occasion.
Here then ends John Travolta’s short but spectacular chart-topping career. Olivia Newton-John will be back, with another duet. I wonder if her three #1s with three duets is some kind of record? Anyway. Both stars also got a #2 solo hit from this soundtrack: ‘Hopelessly Devoted to You’ for Newton-John and ‘Sandy’ for Travolta. ‘Greased Lightnin’ was also released, only making it to #11 as ‘Grease’ fever abated. And I can’t end without mentioning the ‘Grease Megamix’, a mash-up of ‘You’re the One…’, ‘Summer Nights’ and ‘Greased Lightnin’, that made #3 in 1991, and that must have soundtracked every single primary school disco for the rest of that decade. Those were the days…