Time for a Top 10. A month or so ago I ranked my Top 10 #1 singles of the 1950s. Now that I’ve officially drawn the sixties to a close with my most recent recap, here’s the Official 100% Undisputed Top 10 #1 singles of the 1960s!
The sixties. The decade that brought, many would say, the finest pop music known to man. Malt Shop pop, to Merseybeat, to R & B, Folk, Psychedelic, Hippies and Motown. It had it all.
By ‘My Top 10’, I mean the records that came out on top in my recaps. This isn’t me looking back and choosing; this is me recounting how I felt in the moment, as I encountered these great records in their natural environment, like seeing a pack of majestic lions while on safari… Or something. I only have one rule, and it is simple: one record per artist.
Here then, in chronological order, are my Top 10 #1 singles of the swinging sixties… (with a bonus or two thrown in for good measure…)
1. ‘Cathy’s Clown’, by The Everly Brothers – #1 for 7 weeks in May/June 1960
Winner in my first sixties recap… Don and Phil relaunch with a mature new sound. They had scored their 1st chart-topper two years earlier with the nice but soppy ‘All I Have to Do Is Dream’. Since then they had changed labels and toughened up, kicking off a run at the top of the UK charts with some of the best harmonising ever heard. The above video doesn’t quite do the recording justice – listen to and read about that here – but apparently the backing group there is none other than The Crickets, and I couldn’t resist…
2. ‘Shakin’ All Over’, by Johnny Kidd & The Pirates – #1 for 1 week in August 1960
For the most part, American rock ‘n’ roll was far superior to the British version. Had it been a boxing match, it would have been a 1st round knockout. In response to Elvis, Chuck, Buddy, Little Richard, Jerry Lee Lewis, Carl Perkins, Fats and Eddie Cochran we had Cliff and, um, Tommy Steele. (OK, OK, simplifying things a bit, but still…) But ‘Shakin’ All Over’ was the moment in which UK rockers truly competed with their counterparts from across the Atlantic, with its timeless riff and racy lyrics. A runner-up in my 1st recap, you can read my original post here.
3. ‘Telstar’, by The Tornadoes – #1 for 5 weeks in October/November 1962
Of course, by the middle of the decade, the Brits were the ones showing the Yanks how to do it. The first sign that the tide was changing, and the first UK band to hit #1 in the US, were The Tornadoes. Masterminded by slightly unhinged genius Joe Meek, this instrumental tells the story of an alien spacecraft that comes to earth for a look around, before shooting back off to whatever galaxy it came from. Except, ‘Telstar’ is an instrumental, so I’ve made up that story entirely. More simply put: a brilliant, brilliant record that blows you away when you hear it in context (the #1s on either side of it were Elvis’s ‘She’s Not You’ and Frank Ifield’s ‘Lovesick Blues’). I named it best chart-topper in my 2nd sixties recap – read my original post here.
4. ‘She Loves You’, by The Beatles – #1 for six weeks in September, October, November & December (!!) 1963
Without my ‘one chart-topper per artist’ rule I’d probably have had 4 Beatles discs in this Top 10. But ‘She Loves You’ is the one that makes it. Yes, yes, yes – in the years following this the band would go way beyond She loves you, And you know you should be glad… both sonically and lyrically. But, to me, this is the moment the 60s really begins. Hell, it’s the moment Britain finally put the war, the rationing and all the misery of the past half-century behind them for good. Imagine being thirteen years old in 1963, and hearing this beauty for the first time…. I named it best chart-topper, and you can read my original post here.
5. ‘Needles and Pins’, by The Searchers – #1 for 3 weeks in January/February 1964
A low-key, under-appreciated, melancholy #1 from one of the biggest bands in the country during the first wave of Merseybeat. I called it a runner-up to ‘She Loves You’ in my 3rd recap, and it’s one of my earliest musical memories. Plus, I love the way they bow at the end of the video above. A well brought-up bunch of lads! The original post is here.
6. ‘You’ve Lost That Lovin’ Feelin”, by The Righteous Brothers – #1 for 2 weeks in February 1965
The first five in this rundown are all of a similar pop/rock ‘n’ roll feel… The latter five shoot all over the place, starting with this slice of blue-eyed soul. Now pop music was for grown-ups again, and this glossy hit led the way. The call and response section, with one voice growling and one voice hitting the highest notes a man has ever sung, are simply stunning. I really struggled, long and hard, in choosing between this and the next song for a ‘Best Chart-Topper’ award. Ultimately, I named this as runner-up. Do I regret my decision…? Maybe… If I read my original post again I might change my mind…
7. ‘(I Can’t Get No) Satisfaction’, by The Rolling Stones – #1 for 2 weeks in September 1965
The song that pipped The Righteous Brothers to the post… Suddenly rock ‘n’ roll was just ROCK, and the riffs were sledgehammers through your brain. And the lyrics weren’t about meeting your girl at the juke-joint; they were world-weary swipes at phoney advertising campaigns and girls who wouldn’t sleep with you, even though you were a world-famous rock star… It just had to be in this Top 10, plain and simple. Original post here.
8. ‘Good Vibrations’, by The Beach Boys – #1 for 2 weeks in November 1966
A song that needs no further introduction, and one that I struggle to really, really, really love. One that needs respected as a work of art; but not one I listen to all that often. Still, I did name it as runner-up in my 5th sixties recap, so it gets its place in the Top 10. Read my original musings here.
9. ‘A Whiter Shade of Pale’, by Procol Harum – #1 for 6 weeks in June/July 1967
At the start of the Summer of Love, one song redefined what a pop song should sound like, how a pop song should be constructed, what lyrical content huge a #1 hit could cover… Who knows how the hell ‘to skip the light fandango’? Who the hell cares when it sounds as good as this. Winner of my 5th ’60s recap – read my original post here.
10. ‘I Heard It Through the Grapevine’, by Marvin Gaye – #1 for 3 weeks in March/April 1969
Winner of my last sixties recap, when I opted for it at the last minute over ‘Hey Jude’. Motown’s finest moment? Again, a song that I can write nothing new about, so I’ve attached this video of a live version. I love the way that Marvin and one of his band act out the phone call at the start… ‘Somethin’ funky goin’ down’ indeed… Read my original post here.
Bonus 1 – ‘Voodoo Chile’, by The Jimi Hendrix Experience – #1 for 1 week in November 1970
I called this one runner-up in the recap I just posted a couple of days ago, it having reached top-spot a year too late following Hendrix’s death. Had it hit number one at the right place and time, I may well have named it a winner. So, as a consolation, here it is…
Bonus 2 – ‘These Boots Are Made For Walkin”, by Nancy Sinatra – #1 for 4 weeks in February/March 1966
Looking back at this list, one thing struck me: it’s a sausage fest. And then I had a closer look, and was amazed to count that, out of the 185 records that made #1 in the UK between January 1960 and December 1969, only 23 (!!) featured a female artist. If we don’t count duets with men, or male bands with female lead-singers, then there were only 16 (!!!!) #1s by females. Here then, is the record-by-a-girl that came closest to a prize in my recaps… Officially the best female-recorded #1 of the decade : Are you ready boots? Start walkin’!
6 thoughts on “Top 10s – The 1960s”
OMG I didn’t realize that was The Crickets playing back up in that video footage of Cathy’s Clown! Yes, there’s Joe B. Mauldin on bass! Squee!!! (excuse me while I “fangirl” over them) Perfect choice for number 1, I’d say, and thanks for pointing that out!
Well, they are number 1 purely chronologically… But hey, a number 1’s still a number 1!
My dad was a big Everly Brothers fan. I grew up with their music even though it wasn’t my generation. These are interesting and kind of pitiful:
It’s a good list. I’ve always been fascinated with Brit musicians playing their instruments up in their armpits.
Yes, it’s strange isn’t it. Guitars got lower as time went on. By the Grunge era they were around the knees!
Some of the Everly Brothers stuff is of its time, but Cathy’s Clown is one of the best pop songs ever written, I’d say. And it must be hard sharing a stage with your sibling every night. Little wonder that bands involving brothers often end very badly
LOL! Exactly. I think Cobain bent over in “Smells Like Teen Spirit” and played it around his ankles. LOL!
I SO agree. It is the perfect pop song with a haunting harmony. And, sibling rivalry…it’s always there.
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