207. ‘Day Tripper’ / ‘We Can Work It Out’, by The Beatles

The Fab Four claim their third straight Christmas number one (before Christmas number ones were a thing, but still), and they do so with their most straight-up rock record yet.


Day Tripper / We Can Work It Out, by The Beatles (their 9th of seventeen #1s)

5 weeks, from 16th December 1965 – 20th January 1966

There’s a riff – a riff we all know – dun-duh-duh-duh-duh-dun-dada-da-dada – (riffs never really work when written out…) which keeps on going till the end. It’s a riff record – maybe, just maybe, they’d been listening to The Stones –a great, straight-up rock song.

I like the way the intro builds: guitar, then bass, then drums, and the way that the solo is basically the riff, beefed-up. It’s a simple song – there’s no reinventing the wheel here. I guess it’s experimental, in the sense that they’re experimenting with a heavier sound, but that’s stretching it a bit. It’s a John Lennon number, and one of the things I like most about him is that he never lost his rock ‘n’ roll roots, never stopped being a fan of Chuck and Buddy, no matter how avant-garde he and his bandmates seemed to get.

Of course, like any great rock song, there’s a fair amount of raunch here too. She’s a big teaser, She took me half the way there now… Not much imagination needed. Especially after Lennon admitted that he would have made it ‘prick teaser’, had he been allowed. Tried to please her, She only played one night stands… So on and so forth. Another layer of innuendo comes when you consider the ‘trip’ aspect of the lyrics. A ‘day tripper’ would be someone who only drops acids on special occasions. A weekend hippy, a ‘Sunday driver’.

Whether it’s about drugs or sex, or both, doesn’t really matter, though. This is a cracking rock number – one that I’ve enjoyed reacquainting myself with for this post. It’s one of those Beatles songs that kind of gets lost among the mega-hits. But, actually, listen to the soooooo long growl, and the way that the solo ascends to a climax with a hint of ‘Twist and Shout’, and try telling me that this isn’t one of their best. And, come to think of it, I can think of two other songs off the top of my head in which the ‘Day Tripper’ riff makes an appearance: ‘Hair of the Dog’, which gleefully rips it off to the extent that when Guns N’ Roses covered it they gave up the pretence and by the end were just playing the Beatles’ riff, and The Wildhearts’ ‘My Baby Is a Headfuck’. So maybe I’m underestimating it…


What of the flip-side? We’ve not had a double-‘A’ side #1 for a while (nearly three years to be precise) and ‘We Can Work It Out’ is the perfect companion for ‘Day Tripper’, in that it sounds pretty much the opposite. I’ve always thought that double-‘A’s should contrast, one should be the yin to the other’s yang, and so gone is the electric guitar and the bravado, replaced by acoustics and recriminating.

It’s a folk-rock waltz of a record, in which Paul McCartney muses on a failing relationship: Try to see it my way, Do I have to keep on talking till I can’t go on?… Think of what you’re saying, You can get it wrong and still you think that it’s all right… He remains positive – the title is ‘We Can Work It Out’ after all – but if you listen closely to the lyrics it becomes clear that any compromise will be on his terms: While you see it your way, There’s a chance that we might fall apart before too long… Very passive-aggressive… Actually, the more I listen, the more I realise how the singer of this song is being a bit of a dick. Life is very short, And there’s no time, For fussing and fighting my friend… (So hurry up and just admit I’m right!)

The accordion-slash-harpsichord sounding instrument which characterises this disc – the one that creates the woozy, trippy feel at the end of the bridge, and that closes the song with a little riff – is a harmonium, apparently. This is where pop music has been heading throughout 1965, with the baroque-folk stylings of The Byrds, Sonny and Cher and The Walker Brothers, and it’s nice to close out the year in this way. A sign of where The Beatles were heading. ‘Rubber Soul’ was released while this disc sat at #1, and ‘Revolver’ would be coming up very shortly after.

This was The Beatles first double-‘A’ side as they couldn’t agree on which record was the more commercial sounding. Lennon was the one who forced ‘Day Tripper’ to get equal-billing, but in terms of airplay at the time ‘We Can Work It Out’ was the winner. In the US they were released separately, with ‘We Can Work It Out’ hitting the top of the Billboard 100 and ‘Day Tripper’ only making #5. But for me rock always wins. ‘Day Tripper’ all the way…

And so we cross the midway point of The Beatles’ chart-topping run. Nine down, seven to go. To celebrate, I thought I’d do a quick rank of the hits that have gone so far. Based solely on personal preference not artistic merit. Let me know if you agree or are scandalised by my ignorance. In ascending order (worst – best), then:

We Can Work It Out > Can’t Buy Me Love > From Me To You > I Feel Fine > A Hard Day’s Night > Ticket to Ride > I Want to Hold Your Hand > Day Tripper > Help! > She Loves You

Actually, that was really hard and kind of pointless. I don’t dislike any of those songs. A ‘bad’ Beatles disc is another act’s signature song. But it’ll be interesting to add the next seven to the list, and to see where they fit in. Anyway, look! Suddenly it’s 1966. Onwards!

Listen to every number one so far – by The Fab Four or otherwise – with this playlist:


13 thoughts on “207. ‘Day Tripper’ / ‘We Can Work It Out’, by The Beatles

  1. Rock n Roll certainly lost whatever innocence it had by then, which is a real downer for me, personally. Other than that, I really like “Day Tripper” as a song. And I’m not the biggest Beatles fan. I gotta admit, that one is pretty good though!

    • It’s a great rock n roll song. To be fair, even though they had to hide it pretty well, some fifties rock n roll wasn’t that innocent… ‘Shake Rattle and Roll’ comes to mind, and the original lyrics to ‘Tutti Frutti’! And didn’t you do a post on Buddy Holly’s ‘Midnight Shift’ recently… 🙂

  2. The only thing I would do with your list…if it were me…Can’t Buy Me Love would be dead last…I’m a huge Beatle fan but that one not so much. I Feel Fine which is another great riff song would move up…but you can’t go wrong either way.

    The Beatles had raunch also but with theirs, it was more between the lines. Like Ticket to Ride…supposedly…one story was… it was about Hamburg prostitutes who had to have a clean bill of health slip…in other words…a ticket to ride.

    This was a great single…The Beatles had some of the best double A singles ever…and the best one…didn’t make it to number 1!….and I’m not counting Please Please Me.

    • I’ve never heard that ‘Ticket to Ride’ theory… That certainly would take whatever romance was left right out of that situation…. Having to see their clean bill of health beforehand…

      I’m guessing you’re meaning ‘Strawberry Fields/Penny Lane’…? I’d give ‘Come Together/Something’ a shout too, which only got to #4…

      • I’ve read that in a few books…who knows if it is true…lol yes the romance would be gone.

        Yes I was meaning Strawberry Fields/Penny Lane but I won’t argue with the other single either. Just in my opinion the greatest double A sided single ever.

  3. Well, I’ve been a fan as long as I can remember (err 1963 then 🙂 ) and my list would go:

    From Me To You > She Loves You > A Hard Day’s Night > I Want To Hold Your Hand>Can’t Buy Me Love> I Feel Fine>Day Tripper>We Can Work It Out>Help!>Ticket To Ride

      • least good to best, the early stuff I’m fond of but they’re not in the same league as the later songs 🙂 Even if they get covered they tend not to stand-out unless they are radically different – I’m thinking the Ted Chippington amusing but charming cover of She Loves You, or the OTT-production pop Dollar version of I Want To Hold Your Hand.

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  7. Rating: “Day Tripper” (5/5); “We Can Work It Out” (5/5)

    The riff to “Day Tripper” alone warrants at least a 4/5, but the rest of the song absolutely delivers. The vocals on this song – particularly on the verses – are absolutely fantastic. Just a killer tune, and a must learned guitar riff for any aspiring guitar player.

    “We Can Work It Out” is fantastic too. It’s definitely the more poppy of the two tracks, so I can see why it was the preferred side. Lowkey, I love how venomous Paul sounds on the verses. People always try to use this song to juxtapose Lennon and McCartney’s viewpoints, but Paul’s verses are pretty salty sounding. Actually, a lot of his songs on Rubber Soul are pretty bitter and guarded, whereas Lennon for the most part on Rubber Soul is actually more open and vulnerable.

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