189. ‘It’s Not Unusual’, by Tom Jones

Some songs take a while to build to a climax; others wallop straight in from the get-go. ‘It’s Not Unusual’, the debut hit from voice-of-the-valleys and now Knight of the Realm, Sir Tom Jones, falls into the latter camp. There is no climax here. Or rather, the song is the climax.

Music - Tom Jones - 1965

It’s Not Unusual, by Tom Jones (his 1st of three #1s)

1 week, from 11th – 18th March 1965

Stabbing jazz-bar brass, and hand-claps. Pah-papa-Pah-papa… Your feet instantly start tapping. Then in blasts Tom… It’s not unusual, To be loved by anyone, It’s not unusual, To have fun with anyone… By God could Tom Jones sing. (And still can – let’s not kill him off before his time.) But when I see you hanging about with anyone, It’s not unusual, To see me cry… I wanna die…

Never has a song about a jealous and possessive ex-lover sounded so cheerful. Tom sees his girl around town – flirting, galivanting, generally having a good time – and it kills him. Why did they split up? Who knows? This isn’t a song for reflecting. Why can’t this crazy love be miiiiiiinnnnneeeeee…. he wails as we head into the break. I don’t know, Tom, maybe if you stopped snooping around on her like a creep…?

But it bears repeating: this cat can sing. Jones’s voice is not one you’d ever describe as subtle; but it’s super-soulful and packs a brilliant, throaty rasp. That miiiiiinnnnnneeee above is powerful, as is the way he lets loose at the end. It stands out for miles around compared to his contemporaries, and it is hard to imagine that he was only twenty-four when he recorded this record. Apparently the song was offered initially to Sandie Shaw, but once she heard Jones’s recording she felt it would be impossible to make a better one…

This disc races to an end in precisely two minutes, and it feels even shorter such is the galloping pace that it maintains. Over the past few months I had noticed that our #1s were getting longer. The Animals scored the longest by some distance – ‘The House of the Rising Sun’ reaching four and a half minutes – but ‘You’ve Lost That Lovin’ Feeling’ and ‘Yeh Yeh’ also pushed well beyond the magic three-minute mark. Tom Jones doesn’t hang about, though. He takes us back several years – to the days when a couple of minutes per song was the norm.

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Despite this being the very first hit for a fresh-faced young Welsh lad, it’s hard to imagine that Tom Jones was ever cool. Even when ‘It’s Not Unusual’ was sitting at number one in the charts, I’ll bet it was being bought more by mums than by their daughters. (Apparently, though, the BBC refused to play ‘It’s Not Unusual’ at the time, as Tom Jones’s image was too sexy…) Later hits like ‘Delilah’, ‘What’s New Pussycat?’ and ‘She’s a Lady’ did nothing to help his image. He’s remained steadfastly uncool throughout the decades, too. He was uncool when covering Prince in the eighties, and he was uncool when he scored a big comeback in the early 2000s with (shudder) ‘Sex Bomb’. There was a good reason he was Carlton’s favourite singer in ‘The Fresh Prince of Bel Air.’

But who cares? Who cares if he’s recorded some absolute cheese over the years? Who cares if he looks like someone you wouldn’t leave your wife alone with for a minute? Who cares if, by this point, he’s gone beyond parody? It’s worked for him, and given him career-longevity that few can even dream of. Maybe that’s the key: start of uncool and you’ll never have to worry about losing it… Plus, whenever Tom Jones sings, he sounds like he’s having the time of his life. Love what you do, folks, love what you do. Tom’s got it sussed…

https://www.youtube.com/watch?v=kWvbJsB0OBc

13 thoughts on “189. ‘It’s Not Unusual’, by Tom Jones

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  7. Unfortunately I feel duty bound to challenge the notion that Tom Jones is perennially uncool. It’s Not Unusual and What’s New Pussycat were perfect encapsulations of that slinky, sexy ‘Bond, Barbarella and Avengers’ 1960s chic, while his cover of Kiss with the Art Of Noise – plus his late Britpop-era duets – were an ironic, knowing-wink reinvigoration / reinvention as the cool elder statesman. I concur that the ’70s and much of the ’80s were ‘uncool Tom’ periods…but that happened later to ABBA, too. And Tom’s always commanded respect for his voice, unlike his ’60s arch Nemesis, the consistent laughing stock that is Englebert Humperdinck… 🫣 😎

    • I feel duty bound to challenge the notion that any song with the lyrics ‘you and your pussy cat lips’ could ever have been cool… : ) Though I do like many of Tom Jones’s sixties hits, however OTT they may be. He was certainly cool (again) in the late 90s, which I remember well, though I’m not a big fan of his ‘Kiss’ rendition. Were Tom and Engelbert known enemies, though? Was there beef? I’m intrigued…

  8. There was, apparently. I’m sure it was in a BBC4 (maybe BBC2) documentary I saw about 10 or 15 years ago. They shared the same manager and it was claimed that Humperdinck was resentful that the ‘upstart’ Jones was being offered the big songs, and was possibly envious of Tom’s sex appeal. This, even though Englebert probably had the greater record sales in the ’60s owing to Release Me, well after Tom had hit pole position! This is a fantastic blog btw – it’s had me hooked for weeks now. A formidable achievement! 🙂 Best, Marianne-Rose

    • Interesting! I’d always thought of Engelbert as the upstart, as he broke through a couple of years after Jones…

      Thanks for the kind comments! Glad you’re enjoying it, and glad that posts I wrote five years ago are still getting seen and talked about : )

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