world cup

Best of the Rest… World Cup Songs

/ UK #1s blog / 11 Comments

You may or may not be aware that aside from pop music, the charts, and all things #1-spot related, my other area of deep geekery is football. And I love all footballing competitions, but none more than the World Cup. My party piece is being able to recite all the winners, runners-up, host cities and scores (half-time and full-time) of all the finals since the first tournament in 1930. Not that that has ever really got a party going, but you know what I mean…

Of course, this World Cup – hosted in the USA, Canada and Mexico – has proven itself to be very controversial. At least the most controversial World Cup since the last one, in Qatar. Which was the most controversial since the one before that, in Russia. What’s never been controversial are the songs which have charted off the back of World Cups. No. These songs have always been beacons of taste and decorum…

We’ve already met three World Cup related #1s – ‘Back Home’, ‘World in Motion’, and ‘3 Lions ’98’ – all extolling the virtues of the England national team. Which is something that I, as a Scot, have no problem with. At all. But there have been plenty of other World Cup adjacent hits over the years. Some of them even extolling the virtues of Scotland! Here, then, are the other Coupe du Monde-themed records to have graced the Top 5, without managing #1.

‘We Have a Dream’, by the Scotland World Cup Squad ’82 – reached #5 in 1982

In which the star of 1981’s ‘Gregory Girl’, John Gordon Sinclair, narrates a tale of falling asleep in front of the telly, and dreaming that Scotland win the World Cup, with him scoring the winning penalty kick. Then he wakes to find he’s not kicking the ball, he’s actually kicking his mother… He’s backed by the entire Scotland squad, ahead of their departure for Spain.

Before anyone accuses me of bias, this is far worse than any of England’s chart-topping efforts. It features bagpipes, because of course it does, and I’m not sure bagpipes have ever enhanced a piece of music. Scotland, as they always do, crashed out after the first group stage of that year’s tournament, pipped on goal difference by the Soviet Union.

‘Carnaval de Paris’, by Dario G – reached #5 in 1998

From the ridiculous, to the sublime. Ahead of the 1998 World Cup, English electronic group Dario G released this iconic track. It’s based on a folk song called ‘Oh, My Darling Clementine’, which had been used as a terrace chant in stadiums for several years.

For the tournament, the tune was updated with a gloriously ’90s euro-dance beat, featuring musical flourishes from different nations appearing at the tournament in France. A samba beat for Brazil, steel drums for Jamaica, a twangy Asian riff for Japan. And, contrary to what I claimed above, this is the only song ever to be enhanced by the introduction of (electronic) bagpipes, in the Scottish section.

This might be nostalgia talking, but listening to it now, the simplicity of the track is amazing. It’s become a World Cup anthem, still played to this day. Newe, ‘official’ World Cup songs are almost unlistenable: corporate soundboards featuring three or four singers you’ve never heard of from strategically selected countries. And Pitbull. They are played at the opening ceremonies and never listened to again. While the video here, featuring kids painted in the colours of each nation playing on a dirt pitch, is surprisingly touching. The World Cup may have been monetized and commercialized to unrecogniseable levels, yet it still somehow represents football in its purest form.

‘Ole Ola (Mulher Brasileira)’, by Rod Stewart & the Scottish World Cup Squad ’78 – reached #4 in 1978

Another attempt by the Scottish national side, but this one is better. Whether that’s due to it being upbeat, or to having an actual pop star doing the singing, or both these things, I don’t know. But it’s fun, silly, and catchy. It’s based on a samba-rock track, the title of which translates to ‘Brazilian Women’. Quite why we recorded a cover of a Brazilian classic for a World Cup in Argentina remains unclear…

Although perhaps that oversight sums up Scotland’s campaign at the 1978 World Cup, which is now regarded as one of the greatest acts of over-confidence in football history. Scotland left for Argentina as genuine contenders, in our own heads at least. Manager Ally MacLeod claimed that the day of the final would become known as National Ally Day, even inspiring another single – ‘Ally’s Tartan Army’ – which also made the Top 10 around the same time. Needless to say, Scotland crashed out at the first hurdle, and came home with tails very much between legs.

‘We’re on the Ball’, by Ant & Dec – reached #3 in 2002

The 2002 World Cup in South Korea and Japan tempted Britain’s favourite Geordie duo out of recording retirement. Ant and Dec recorded this piece of fluff, their first single in five years, and scored (pardon the pun) their biggest hit up to that point.

It’s not terrible… But it’s not particularly good either. It follows a very basic England World Cup song formula: a chanted chorus, snippets of commentary, players names in the lyrics, references to 1966… If you’re a listener from any other country, there is an automatic level of obnoxiousness to any song about the England football team that you have to battle through before you can appreciate it. (There is also an automatic level of schadenfreude to bask in when England fail to win each tournament. In 2002 it was Brazil in the quarters that ensured they were on thirty-six years of hurt, and counting.)

We’ll meet Ant and Dec on our regular countdown eventually, with their one hit that got even further than ‘We’re on the Ball’.

‘World at Your Feet’, by Embrace – reached #3 in 2006

By the 21st century, it was the height of uncool to have actual footballers singing on your World Cup song. Instead you had to get past-their-best Britpop bands like Embrace to sing inspirational lines such as With the world at your feet there’s no one you can’t beat…

After the brilliance of ‘World in Motion’, and even ‘Three Lions’, this is incredibly bland, indie rock by numbers. The video, equally milquetoast, in which the band lead a group of England fans around Wembley stadium, could double as a Vodafone advert. It ends with a whimper, much like England’s 2006 World Cup campaign, which ended in defeat on penalties to Portugal.

‘This Time We’ll Get It Right’, by the England World Cup Squad – reached #2 in 1982

Though any nostalgia for the days when a World Cup song involved players huddled around microphones, swaying awkwardly, arms around one another’s backs, should be extinguished by songs like ‘This Time We’ll Get It Right’.

It has the same plodding beat and similarly jaunty lyrics to 1970’s ‘Back Home’, as if popular music hadn’t moved by lightyears through glam, punk, disco or new wave in the intervening twelve years. Though in actual fact England hadn’t qualified for the 1974 or ’78 tournaments, and so maybe we shouldn’t be surprised that this sounds like a direct follow-up record.

Anyway, while most of the records so far have been the sort of songs that would have finished bottom of their groups with zero points, the next three are finalists in my eyes…

‘Nessun Dorma’, by Luciano Pavarotti – reached #2 in 1990

Perhaps tellingly, the three biggest (and best) non-chart-topping World Cup hits are all ‘unofficial’ anthems. No official FIFA records or awkward footballers in chunky headphones.

And most randomly of all, we have a big beast of Italian opera: Luciano Pavarotti himself. ‘Nessun Dorma’ originates from Puccini’s ‘Turandot’, which debuted in 1926, and was first recorded by Pavarotti in 1972. The BBC used it as the theme for their coverage of Italia ’90, and so popular was it that it made #2 on re-release. Pavarotti, José Carreras and Plácido Domingo – AKA The Three Tenors – performed a concert ahead of the final, a live recording of which went on to become the highest-selling classical album of all time.

I don’t speak Italian, and know little to nothing about opera, but when big Pav hits the high note at the end of ‘Nessun Dorma’ it’s hard not to be awe-struck. So synonymous with football did this aria for a time become that it was performed on the pitch ahead of the following three World Cup finals.

‘Vindaloo’, by Fat Les – reached #2 in 1998

Having already labelled England-supporting songs as ‘obnoxious’, ‘arrogant’ and ‘bone-headed’ (if I haven’t used those exact words then I’ve definitely been thinking them), we come to the most obnoxious, arrogant and bone-headed of them all. And yet, I love it. I always have, aged twelve when it was released, and listening to it now, aged forty.

Its main refrain is We’re Enger-land, We’re gonna score one more than you… but it’s meant as a piss-take of the sort of songs that claim that it’s ‘coming home’. Comedian Keith Allen said he chose ‘Vindaloo’ for the title as it was just the sort of curry that a ‘right-wing lout’ would order. (I’m sure that some of the record’s buyers completely missed the tongue-in-cheek-ness of it, but an awareness of subtetly and nuance is not what louts are known for.) Meanwhile the rest of the lyrics involve camp gems like Can I introduce you please, To a lump of cheddar cheese… or Me and me mum and me dad and me gran went off to Waterloo, Me and me mum and me dad and me gran and a bucket of vindaloo…

Fat Les were Blur bassist Alex James, artist Damien Hirst, and Keith Allen (who co-wrote and performed in the video for ‘World in Motion’). The video features various comedians and celebs, most prominently Paul Kaye in a spoof of the Verve’s ‘Bittersweet Symphony’, and is so late-nineties it hurts. Please England, I beg of you, for 2026 can you give ‘Vindaloo’ a moment of resurgence, rather than ‘Three bloody Lions’?

‘Wavin’ Flag’, by K’naan – reached #2 in 2010

The 2010 World Cup in South Africa is not fondly remembered for the quality of its football, as an impressively dull Spain 1-0ed their way to the title. But it is fondly remembered, by me at least, for producing two of the greatest World Cup songs of all time. Give the competition to Africa, and at least you know the music is going to be good!

FIFA made a decent decision for once too, in commisioning Shakira’s ‘Waka Waka’ as the official song of the tournament. That only made #21 in the UK, sadly, while the song that took off was the official Coca-Cola anthem: ‘Wavin’ Flag’ by Somali-Canadian singer K’naan. Okay, yes, big corporations are usually not a good thing for music, but the song had had a long journey to this point, having been a hit in Canada on its own, with lyrics about the experiences of Somali refugees, and then as a charity single following the 2010 Haiti earthquake. With more football-friendly lyrics, it eventually became a hit around the world.

It’s a great blend of African beats and a pop sensibility, Bruno Mars co-wrote and produced it, and it is not about England winning the trophy. The perfect way to wrap up this post. Which hopefully you enjoyed, even if you have no interest in the beautiful game. I’m off to set my alarm for whatever game kicks off at 3am tomorrow!

930. ‘A Little Less Conversation’, by Elvis Vs JXL

/ UK #1s blog / 9 Comments

No song conjures up the year 2002 more than this tune, that year’s song of the summer.

A Little Less Conversation, by Elvis (his 18th of twenty-one #1s) Vs. JXL

4 weeks, from 16th June – 14th July 2002

It sounds curious, and potentially disastrous: a little known Dutch DJ remixing a little known Elvis track from one of his long-forgotten late sixties movies. But, through some strange alchemy, the original’s brassy swagger mixes nicely with JXL’s big, accessible beats, and creates a great pop song.

What remains is Elvis-enough for people who were around when he was alive, and modern enough for those who weren’t. It helps that few people probably knew the original, but also that it was recorded in 1968, around the time of the comeback special, when what is now Elvis’s most familiar pop culture persona was born. Elvis sounds like Elvis, deep voiced and lip curled, and the added echo makes it sound like he’s coming live from the other side. All that’s missing is a thank you very much to finish.

JXL (officially Junkie XL, though that was presumably shortened to keep things family-friendly) was Tom Holkenberg, a DJ active since the late-eighties. He had worked as a producer with several punk and metal bands, as well as becoming big on the rave scene and touring with the Prodigy. None of which sounds like the guy who came up with this super-mild, catchy, chart-friendly hit. As much as I like the record, I’d sooner call it cheesy than cool, and do wonder if Norman Cook considered lining up any plagiarism suits against all the Fatboy Slim style drum-breaks and goofy fills.

The original ‘A Little Less Conversation’ had featured on the ‘Ocean’s Eleven’ soundtrack in 2001, presumably bringing it to the attention of Nike. They then commissioned JXL to remix the song for an advert to tie in with the 2002 World Cup, in which the world’s best footballers competed in a first-goal-wins tournament in a cage. Maybe I’m of the perfect age to get swept up in the nostalgia of it, but watching that advert again, much like hearing this song, feels so ‘2002’ that it hurts.

The single followed a few months after the advert, and was sitting at #1 as Brazil won a record fifth world title. Equally record-breaking was the fact that, after a twenty-five year tie, Elvis moved ahead of the Beatles and onto eighteen UK #1 singles. It kicked off a bit of a renaissance for the King, and a collection of his number one hits (including this remix) became a huge seller that autumn. I’d credit this single, and the album, for getting me into Elvis, and enjoying his music to this day. In 2003 another Elvis remix, this time of ‘Rubberneckin’’ by Paul Oakenfold, made #5.

JXL meanwhile, while not quite a one-hit wonder, never made it higher than #56 without Elvis’s help. Still, he was the first person to be allowed by Elvis’s estate to remix one of his songs, which is an honour of sorts. And he is responsible for introducing many youngsters (me included) to The King, and to one of the greatest ever rhyming couplets in chart-topping history. A little less conversation, A little more action please, All this aggravation ain’t satisfactioning me… Thank you very much, indeed.

646. ‘World in Motion’, by ENGLANDneworder

/ UK #1s blog / 3 Comments

Ah yes. It’s that time again in which I, a Scot, have to write about the English National Football Team, and attempt impartiality…

World in Motion, by ENGLANDneworder (New Order’s 1st and only #1)

2 weeks, from 3rd – 17th June 1990

OK, there’s only been one ‘England’ #1 before: the 1970 World Cup squad’s jaunty ‘Back Home’. (Scotland, meanwhile, have cracked the Top 10 several times – they just haven’t quite made it to the top. Which is quite fitting, really, given our footballing history…) But this record is a different beast to ‘Back Home’. This is no cheesy squad singalong, about trophies and triumph. This is actually quite cool.

It helps that New Order were a very good band, the band of ‘True Faith’ and ‘Blue Monday’, and of Joy Division before that, and that they created a credible piece of dance-pop. And it helps that they tried to write a song that could stand alone if separated from its footballing context: Express yourself, Create the space… Beat the man, Take him on… And of course the chorus: Love’s got the world in motion, And I know what we can do…

Sensibly, the actual players are limited to backing vocals. Until, of course, the rap. Liverpool winger John Barnes takes over for perhaps British hip-hop’s most iconic moment, written by comedian Keith Allen (who prances around in the video): Catch me if you can, Cos I’m the England man… Three lions on our chest, I know we can’t go wrong… And then boom! Suddenly, it’s a full on football song, with Eng-er-land chanting, and canned commentary from the 1966 final. But by that point, even Scots will have given in and started tapping their feet to the best, yes I’m committing right here and now, football single ever.

The back stories to this song are quite fun. New Order initially suggested a song called ‘E for England’, which was quickly rejected by the FA for its fairly blatant drug references. Star striker Gary Lineker didn’t want to feature as he was releasing his own World Cup single, the completely forgotten ‘If We Win It All’. Meanwhile, seventy-year-old Kenneth Wolstenholme re-recorded his ’66 commentary specially for the song (making him the oldest person so far to feature on a #1…?)

‘World in Motion’ came at an interesting time for football. The Hillsborough disaster had happened the year before, and the changes to stadiums and crowd management that would come out of that tragedy were about to be implemented. Meanwhile, at the World Cup in Italy, England put in their best performance since you-know-when and lost on penalties to West Germany in the semis: Gazza’s tears, Chris Waddle, Pavarotti and all that. (Scotland, naturally, went out in the group stages.) The video is charmingly low-budget, and the players a world away from the well-groomed, tattoo-ed, sculpted lads of today. It’s an interesting glimpse of a sport that I cannot quite remember, just two years before the Premier League/Champions League explosion.

But, that’s a story for a different blog. Musically, this was New Order’s only #1, though they scored eight Top 10s between 1983 and 2005 (including the best-selling 12” of all time). They were, still are, hugely influential and as fun as this record is, it’s somewhat bittersweet that it’s their biggest chart hit. And sadly, ‘World in Motion’ has since been relegated to the second division of football songs, behind a far more obnoxious, entitled, and frankly (without giving too much away) insufferable single from six years later…