Cover Versions of #1s… Indie Rock Edition

In 2007, to celebrate their fortieth anniversary, BBC Radio 1 released an album of cover versions, featuring the big pop and rock acts of the day.

(For anyone not of a British persuasion, Radio 1 is the youth-oriented national radio station, which plays all the pop, rock, dance, and hip-hop hits of the day, as well as the Top 40 on a Friday afternoon. Radio 2 is for the middle-agers. Radio 3 plays classical and jazz. Radio 4 is news, documentaries, plays, and so on. And Radio 5 is for sports. They’re the five main ones that I grew up with. There are others, especially now in the digital age. Here ends today’s lesson on British radio stations.)

Anyway, the remit for the album was to include one song from every year that Radio 1 had been broadcasting, covered in a modern style. Interestingly for us, this coincides (almost) with the very point we are at in our countdown, and so we can feature some of the big indie rock groups of the day that we aren’t going to meet at #1. I’ve complained a bit that the mid-00s indie rock revival – Arctic Monkeys aside – hasn’t been represented on top of the charts. There are a few more indie number ones to come in 2006 and 2007, but not by these acts below.

Here then, are three old number ones, covered by hip new beat groups for Radio 1’s ruby anniversary. Well, hip and new sometime around 2007, anyway…

Kasabian – ‘Too Much Too Young’

One of the very biggest groups to come out of the 2000s, Kasabian are still going strong. All but one of their albums have made #1 in the UK, while on the singles chart their biggest hit was 2009’s #3 ‘Fire’. For this album they covered the Special’s 1980 punky, spiky, two-tone ‘Too Much Too Young’. And they did it in a very faithful, punky, two-tone style. It’s fine. I just wish they made it sound more Kasabian, as they were one of the more unpredictable-sounding of the landfill-indie era, especially their trippy, space-rock inspired debut album.

Gossip – ‘Careless Whisper’

In the mid-’00s I was a big reader of the NME. And for a year or so, between 2006 and 2007, it felt like the Gossip and their front woman Beth Ditto graced the magazine’s cover on a weekly basis. Like so many before them, they never quite lived up to their ‘next big thing’ tag, but their one Top 10 hit – the clattering, protest anthem ‘Standing in the Way of Control’ – is a certified classic of the time. Their take on George Michael’s eighties smoocher is cut from the same dance-punk cloth. Unlike the Kasabian cover above, it does do something new with the source material, and it’s quite nice to hear an over-played tune (that I’m not overly fond of) sound so different.

The Kooks – ‘All That She Wants’

Ah, the Kooks. The poster boys for ‘landfill indie’? Or one of the mid-00s more enduring acts? They’re still together, still touring and making music, and their signature song ‘Naive’ seems to have gained popularity with the TikTok generation. I did buy, and enjoy, their debut album ‘Inside In/Inside Out’ – especially the bouncy ‘You Don’t Love Me’. But there was always the whiff of art school (they formed at the BRIT school) poseurs about them, and lead singer Luke Pritchard always gave the impression that he thought he was Pete Doherty, minus the heroin.

But their cover of Ace of Base’s 1993 #1, ‘All That She Wants’, is serviceable enough, translating the original’s reggae lilt into a very 2006 indie riff. Of the three I like Gossip’s cover the best, but this is a decent second.

I hope you enjoyed these three covers. This ‘Radio One Est. 1967’ album is good for at least three more chart-topping covers, so I’ll return to it in the new year.

450. ‘Too Much Too Young – The Special A.K.A. Live! EP’, by The Specials

The 1980 ‘statement of intent’ continues… Following on from The Pretenders’ cool and cocky ‘Brass in Pocket’, the decade’s second #1 is some hardcore ska. Live ska.

Too Much Too Young – The Special A.K.A. Live! (EP), by The Specials (their 1st of two #1s)

2 weeks, 27th January – 10th February 1980

Too much too young! the band announce, to a drum-roll. You done too much too young, You’re married with a kid when you could be havin’ fun with me… The drums and organs skip and thump – ska is basically reggae on speed – as Terry Hall spits out the lyrics. Ain’t it cool, No it ain’t, He’s just another burden on the welfare state… I mean, it puts a different spin on rock music not being child-friendly…

Musically this is ska, or two-tone, but really this is as punk as things have gotten at the top of the charts. Hall sneers at the girl who went and got pregnant… Ain’t you heard of contraception…? and lists all the reasons why getting married and having a kid was a terrible idea (number one being that she won’t come get jiggy with him). The ferocious guitar solo is also as raw and gritty as we’ve heard in a chart-topper for a long old while. As great as the disco/electro years have been, it has all been bit glossy. There’s nothing glossy about this nasty little record. (The album version is slightly slower, and longer; but there’s a lot to be said for the rawness that comes across live.)

The best bit comes at the abrupt end – this is a record that barely makes it over the two minute mark – with possibly the finest closing line to any #1 single: Try wearing a cap! Unsurprisingly, the BBC would not play this bit. We’re only two number ones into this bold new decade and we’ve already had aggressive references to contraceptives.  

While ‘Too Much Too Young’ was the hit, this is an EP – only the second ever to top the charts – and so we should give the rest of it a quick listen. The second track on side-‘A’ is an instrumental, ‘Guns of Navarone’. It’s a cover of a 1961 hit by the Skatalites – great band name alert! – which was in turn a cover of a film score. It’s another short, sharp blast of ska, with some unintelligible (to me at least) scatting from Neville Staple. The lead trombone on the song is played by Rico Rodriguez – a near fifty-year-old ska veteran, and not a full-time member of the band.

The flip-side is where my patience with ska wears thin. It’s fine in small doses – I think ‘Too Much Too Young’ is a wonderful kick up the arse – but stretched into a seven-minute, three-part ‘Skinhead Symphony’, the relentlessness of the genre starts to grate. You don’t get any downtime. The final part is the best, a full on wig-out called ‘Skinhead Moonstomp’. The band yeah-yeah-yeahs, as Staple calls on all the rude boys and rude girls to stomp their boots to an ever quickening beat.

Phew! Away from the music, this is an interesting record. TMTY is very short – the shortest #1 of the entire decade and the shortest since ‘It’s Not Unusual’ in 1965. It’s also… I think… only the 4th #1 single to have been recorded live, after ‘My Old Man’s a Dustman’, ‘The Wonder of You’, and ‘My Ding-a-Ling’ (though I’m sure I’ve forgotten one, or two.) Interestingly, half of this disc was recorded in London, and half in Coventry… where Chuck Berry had also recorded his classic (yes, I said classic) hit in 1972. Who knew Coventry was such a hot-bed of live music. Though, to be fair, The Specials were formed in Cov, so that could explain it…

This is a fun, palate-cleanser of a record, that again proves that January is often the most interesting month for chart-toppers. The Specials will be back next year, with their masterpiece. And we’ll be back, in a couple of days, with a recap.

Catch up with everything so far, before the next recap: