734. ‘Don’t Look Back in Anger’, by Oasis

‘Don’t Look Back in Anger’ isn’t Oasis’s best song (that is a question for a different post, but it would probably be something from their debut album). ‘Don’t Look Back in Anger’ is, though, probably the ultimate Oasis song. Oasis at their Oasisest.

Don’t Look Back in Anger, by Oasis (their 2nd of eight #1s)

1 week, from 24th February – 3rd March 1996

They set out their stall in the opening seconds, with the piano line from ‘Imagine’ which, according to Noel, was a deliberate middle finger to those who claimed Oasis were musical copycats. It hooks you in, declaring that the next five minutes are going to be epic. In fact, every part of this song, from that intro onwards, is a hook.

You can be the type of person who jots down every little chord, lyric or guitar lick that Oasis nicked – and I am that person sometimes – or you can be someone who admires the way they managed to distil British rock history into an elite-level run of singles (and two excellent albums), who admits that when they were good, they were very good. The drum-fill before the final, soaring chorus here is, no hyperbole, one of pop music’s great moments.

‘Don’t Look Back in Anger’ also features some of Noel’s more coherent lyrics. My personal favourite is the Please don’t put your life in the hands, Of a rock n roll band, Who’ll throw it all away… with the squealing guitars in between. A lot of the lines are still nonsense, but they work somehow. I assume it’s about a break-up, given all the stuff about walking on by, and not looking back. Or maybe it’s a mantra for living positively, not lingering on mistakes. Don’t go thinking that ‘Sally’ is anyone important, though. ‘It’s just a word that fit, y’know,’ says Noel. ‘Might as well throw a girl’s name in there.’

A song written and led by Noel has to beg the question: what of Liam? Well, despite having nothing to do, he spends the video mooching around the garden of a stately home in his shades, and still manages to be the star of the show. He is apparently responsible for the song’s most famous line: So Sally can wait… having misheard what Noel was really singing while writing it.

Despite what I wrote earlier, I’m going to briefly be the guy that points out the bits that Oasis nicked. I just now noticed that while everyone was distracted by the ‘Imagine’ piano in the intro, the floaty guitar in the outro is a rip-off of ‘Octopus’s Garden’. Is that common knowledge, or have I just unearthed another, previously undiscovered fossil?

‘Don’t Look Back in Anger’ was the 4th single from an album that had already sold in the multi-millions, and so the fact that it made number one is testament to how truly massive Oasis were in 1996. Over the past twenty-eight (!!!) years, it has gone from a pop song to almost a hymn, or an alternate national anthem. In the wake of the Manchester Arena bombing in 2017, gathering crowds spontaneously began singing it, giving the lyrics an even more resonant feel.

Meanwhile, it has also been voted the 4th Most Popular #1 Single ever, the 2nd greatest Britpop song (after ‘Common People’), and the Greatest Song of the 1990s. (And, most importantly, the 2nd Best Song to Sing Along to While Drunk – controversially robbed of top spot in that poll by Aerosmith’s God-awful ‘I Don’t Want to Miss a Thing’.) It is also by far the best of Oasis’s eight number ones… and I hope that’s not too much of a spoiler for what’s to come!

720. ‘Some Might Say’, by Oasis

I’m both thrilled and downhearted that we’ve reached the beginning of the Oasis era. Much like I wrote in the intro to my last post, on Take That’s ‘Back for Good’… What can I add to the three decades’ worth of column inches dedicated to Britain’s most polarising band.

Some Might Say, by Oasis (their 1st of eight #1s)

1 week, from 30th April – 7th May 1995

Basically, what to say about Oasis that isn’t cliched? I need to approach this completely subjectively, then. Which isn’t hard, because Oasis were my first big musical love (OK, second… but we’ll deal with that Spice Girls-shaped elephant in the room when the time comes…) ‘Some Might Say’ has never been among my very favourite Oasis records but, actually, this is a good thing, as far as this post is concerned. It hasn’t been overplayed to death, and I’m glad that this made #1, and not the two #2 hits that followed.

On the other hand, I’d rather their two preceding singles – ‘Whatever’, or ‘Cigarettes and Alcohol’, had been the first chart-topper. ‘Some Might Say’ has some of the vim, the punkish energy of ‘Definitely Maybe’ – I’d say it’s the song from ‘What’s the Story…’ that could most easily slip onto their debut – but signs of bloat are already appearing. After a brilliant glam riff opening, it settles into a slightly plodding, overlong rock song (why, oh why, is this five and a half minutes long?) And, despite the long-held belief that Oasis were a rejection of grunge’s misery and introspection, there are some very heavy, grungy chords in the chorus.

I had a pop at Gary Barlow’s lyrics in that last post, and I have to call Noel out here too, even if this is where I tip into well-trodden cliché. Oasis lyrics walk the line between revelatory and ridiculous. One minute you’re thinking ‘Yes, profound!’. The next you’re thinking ‘Maybe not…’ Some might say they don’t believe in heaven, Go and tell it to the man who lives in hell… is a great line. Some might say you get what you’ve been given, If you don’t get yours I won’t get mine as well… is more at the ‘maybe not’ end. (Though we can all agree that The sink is full of fishes, She’s got dirty dishes on the brain… is a lyric for the ages…)

The star here, as in many of Oasis’s early songs, is the man interpreting these words, and making them his own. Liam. The last true rock star, and one of the all-time great frontmen. A beautiful moron (‘Some Might Say’ doesn’t have a proper video because he never showed up for the shoot), his sweetly aggressive vocals attack his brother’s unwieldy lines and transform them. Just try singing this song like he does. It’s very difficult – your voice ends up straining, and cracking, and getting lost among the walls of guitar (Oasis were, thankfully, never fans of understated production.)

Like I said, I once loved Oasis – growing up male, in small town Scotland, in the late ‘90s/early ‘00s, it was all but mandatory – but it is a love that has faded. I’ve accepted that they were limited, that they did have a habit of ‘borrowing’ riffs and melodies (even now I’ll listen to a Kinks album track and hear a bit that sounds familiar…), and that they believed their own hype a little too much. And yet, they were never as bad, as unoriginal, as much a Bargain Bucket Beatles, as some critics were desperate to make out.

Anyway, I’m writing as if this was their one and only chart-topper, not as if they have seven more to come. It’s easy to forget just how phenomenally successful they were. All seven of their studio albums entered the charts at #1, while ‘Some Might Say’ was the first of eight singles in a row to make either #1 or #2, between 1995 and 2000. It might not be the perfect song to be crowned their first chart-topper – the first chart-topper of the Britpop era even – but Some might say, We will find a brighter day… is perhaps the perfect summation of the Oasis manifesto.

Cover Versions of #1s – Joan Jett & Oasis

For my last two covers of the week, I’m going back to the age of glam. I do miss the days when every second chart-topper was a glam-rock stomper…

‘I Love You Love Me Love’, by Joan Jett – originally a #1 in 1973 for you-know-who.

The only problem with ‘the age of glam’ is that one of its biggest stars turned out to be a prolific sex-offender. Despite trying not to, I did enjoy the first two of Gary Glitter’s three #1s. How to listen to them these days, though, without feeling a bit icky? Luckily, Americans have no idea who Glitter is/was, and are happy to use his music at sporting events and in the soundtracks to major Hollywood movies. Joan Jett made a habit of covering old 60s and 70s tunes and giving them a power-rock feel in the eighties. (Yes, I know, he probably still gets royalties. I didn’t say it was a perfect plan…)

‘Cum on Feel the Noize’, by Oasis – originally a #1 in 1973, for Slade

I have complicated feelings towards Oasis. They were once my favourite band (if you were a teenage boy, growing up in suburban Scotland, in the late 90s, you had to love Oasis, it was as good as law). But I don’t listen to them much these days. Liam and Noel are as moronic as they are funny, and they attract a certain type of ‘fan’… And yet, watching this performance at Maine Road, at the height of their popularity, you can see why they were so huge, and it proves anyone who thinks Liam couldn’t sing very wrong. Obnoxious lines like: So you think my singing’s out of time, Well it makes me money… might well have been custom-written for him. Oasis are famously mocked for copying the Beatles, but I’ve also heard them described as ‘Status Slade’. I think whoever said that meant to be bitchy, but I can’t think of a more fun sounding hybrid band. Anyway, I’ll have plenty of time to reassess Oasis when I cover their eight #1s – ‘Cum on Feel the Noize’ was a ‘B’-side to their second (and best…?) chart-topper, ‘Don’t Look Back in Anger’.

Next week it’s back to the usual countdown, starting with chart-topper number 501.

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