761. ‘Don’t Speak’, by No Doubt

Without realising it, 1997 has gotten off to a pretty rocking start. Established names like Blur, and U2, have ensured that guitars have been well-represented at the top of the charts. Carrying on the trend are a band enjoying their breakthrough smash…

Don’t Speak, by No Doubt (their 1st and only #1)

3 weeks, from 16th February – 9th March 1997

…which has gone on to become one of the decade’s best-remembered hits. ‘Don’t Speak’ is both of its time – it has that US alt-rock sound, with the post-grunge power chords, that had worked for Deep Blue Something a few months earlier. But it also has some more unusual ideas in the mix: a moody flamenco beat, and melodramatic lyrics delivered more like a showtune (You and me, I can see us dying, Aren’t we…?)

Perhaps, strangest of all, there’s a woman singing! A rock song! Any excuse not to do those dishes… I jest, of course! There have been plenty of women singing rock songs at the top of the chart, and female-fronted rock bands, like Blondie, the Pretenders, T’Pau, and…. You get my point. Gwen Stefani’s fantastic vocal performance was, I’d say, one of the main selling-points.

‘Don’t Speak’ had been around for a while – as had No Doubt, who formed in Anaheim, in 1986, and went through nearly a decade of trying to make it – in a more upbeat form. Stefani re-wrote it after breaking up with the band’s bassist Tony Kanal. The pair then took the leading roles in the video, which plays on the way the media side-lined the three other members to focus on Stefani. The band were on the verge of splitting up, allegedly, on the day they filmed it.

As good as ‘Don’t Speak’ is – and I do like it, though wouldn’t include it my pantheon of all-time nineties classics – it could be seen as a bit of a sell-out for the originally ska/punk No Doubt. The lead single from their 3rd album, the breakneck ‘Just a Girl’ had been a minor hit, and then made #3 on re-release later in 1997, and I do wish that had been the bigger smash.

Maybe it’s just the fact that the peak of their career coincides almost exactly with my formative years, but it seems very odd that this is No Doubt’s, and Gwen Stefani’s, only chart-topper. At least they managed one in the UK, with ‘Don’t Speak’ never officially being released in the US, despite a sixteen-week run on top of the airplay charts. Before we go then I should mention that, in my humble opinion, No Doubt’s grimy ‘Hella Good’, Stefani’s glorious solo debut ‘What You Waiting For?’, and her equally cool, um, ‘Cool’, all should have been number ones. No Doubt, meanwhile, recently reunited for the first time in almost a decade, and played a well-received set at Coachella.

7 thoughts on “761. ‘Don’t Speak’, by No Doubt

  1. What a huge rebound from that U2 song. This song is amazing. Just a stunning piece of work. The biggest song of 1997 worldwide – it would’ve gone to No. 1 in the US if it had been released as a physical single. But that definitely drove album sales to go Diamond.

    Absolutely love it. Stefani’s vocal performance is absolutely killer. Her delivery of the lines conveys such a deep sense of vulnerability and sorrow. It’s a great melding of rock, pop and even a little bit of ska. Love the way it’s arranged and how it builds from a gentle, melancholic intro to more intense, passionate choruses. The use of acoustic guitar in the intro, followed by a fuller band sound, and the inclusion of orchestral elements like that melancholic horn section, it just adds to the emotional and sonic depth of the track.

    It’s one of those instances where the band’s most popular song is my favourite.

    • It’s a really good song. I perhaps don’t rate it quite as highly as you, but it’s still a classic. The one bit that jars, and I thought about mentioning this in the post, is the middle-eight (It’s all ending, We’ve gotta stop pretending…) Not sure why, but I’ve always found that a bit clunky. Maybe just me.

  2. Great single, but as a ska-based UK-retro-sounding US act it was a bit out of place in their back catalogue. They had some good singles though (It’s My Life, Just A Girl) but it was Gwen’s solo career that really soared for me. Her first album alone had monster gems like Hollaback Girl, What You Waiting For and Cool, total pop classics of the noughties. She’s still good, dropping solo tracks or collabs with hubbie Blake Shelton – they had a pretty fine xmas single the other year.

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