To recap, then…

We ended the last thirty #1s on Oasis, and ‘Some Might Say’, a clarion call for the Britpop era to come. But, looking back, the previous era can go under one name only: ‘Take That Totality’! (Send any better words beginning with ‘T’ on a postcard, please…) Yes, Britain’s biggest-ever boyband scored six chart-toppers over the last thirty, which has to be some kind of record. I’m not sure that even Elvis or The Beatles, during their periods of domination in the 1960s, managed six in one recap.

Their hits have ranged from the super-famous-and-slightly-overrated (‘Back for Good’) to the surprisingly enjoyable (‘Sure’) to the predictably so-so (‘Babe’ and ‘Everything Changes’) to a fun intergenerational duet (‘Relight My Fire’, with the lovely Lulu). The best for me, though I didn’t quite appreciate it at the time, was their first: ‘Pray’. While they’re not done yet – in real-time we’re on the verge of Robbie’s walkout – by our next recap they’ll have long since split, and Gary will have embarked on his wildly successful solo career. For all their #1s, though, the best boyband hit of the past two years was not by Take That… More on that in due course.

In and around all the screaming teeny-boppers, we’ve had some par-for-the-course reggae, with two reinventions of ‘60s classics. Chaka Demus & Pliers gave us a fun take on ‘Twist and Shout’, while Pato Banton gave us a slightly more predictable run through of ‘Baby Come Back’ alongside the Campbell brothers from UB40. We’ve also had the pre-requisite ‘90s power ballads: Meat Loaf’s batshit ‘I Would Do Anything For Love’, Mariah Carey’s unnecessary cover of ‘Without You’, and Celine Dion’s much more welcome ‘Think Twice’.

We also met, and endured, another of the longest-running #1s ever. Wet Wet Wet’s cover of ‘Love Is All Around’ was much lighter and more enjoyable than the Bryan Adams and Whitney Houston behemoths from last time out, but still didn’t merit anything like fifteen weeks at the top. (As an aside, the number of times I’ve typed the words ‘cover’ or ‘version’ in the last few minutes has me wondering just how many of the past thirty #1s were covers. Seven, apparently, which seems like a lot, but I haven’t time to go back and check…)

And of course, this being the mid-nineties, we’ve had our fair share of chart-topping dance records. Some classic, or at least well-respected – ‘Mr Vain’, D:Ream, ‘The Real Thing’ and Baby D – some very cheap and tacky – Doop, Whigfield, ‘Cotton Eye Joe’ and the Outhere Brothers (which was also the most profanity-strewn number one yet, by far …)

If all the above feels fairly expected, then we’ve also had a few firsts and anomalies. Some chap with a squiggly symbol for a name, formerly known as Prince, managed his one and only British chart-topper with the underwhelming ‘The Most Beautiful Girl in the World’. We also had our sole grunge #1: Stiltskin’s ‘Inside’, which added to the growing sub-genre of ‘chart-toppers brought about by Levi’s adverts’. And our first and last football club #1: Man Utd branching out from league domination to take over the singles charts (with a little help from Status Quo).

Awards time, then! Starting, as is customary, with The ‘Meh’ Award for songs that failed to get my pulse even mildly aroused. And there have been a few so-so chart-toppers recently. I could plump for a couple of Take That contenders, in ‘Babe’ and ‘Everything Changes’, but the former had a weird creepiness to it and the latter was catchy enough. ‘Love Can Build a Bridge’ – this recap’s charity effort – was also fairly bland, though with a cast of characters that caught the eye at least. I could be controversial and give it to Prince… But no, I’m going for Gabrielle’s ‘Dreams’: nice enough, dinner-party soul-pop. It may be because it’s not fresh in the memory – it was the first of the thirty – or it may be because it’s just plain boring.

The WTAF Award for being interesting if nothing else is always a fun one to do. And boy, do we have an interesting range of contenders. Meat Loaf (and Jim Steinman’s) outrageous tale of all the things he would do for love barring one has to be in the mix for the bombast, the video, and the record-breaking runtime. Then there’s ‘Mr Blobby’ – a horrible record, but one which holds a strange, car-crash type fascination for me. And there’s Doop, with their eponymous hit, a disorienting fusion of Eurodance and ragtime…

It’s a toughie, and so I looked back at previous WTAF winners. It seems I’ve tended to go for songs I quite like – that are just a bit zany, or against the tide – rather than songs that disturb. ‘Nut Rocker’, ‘Kung Fu Fighting’, ‘Doctorin’ the Tardis’ and the like. So Blobby’s out. And so, sadly, are Doop. Meat Loaf wins!

Perhaps I should save Blobby for the next award: The Very Worst Chart-Topper? For a long while I did think he’d have to win. But I didn’t reckon on two horror-shows from early 1995. When the Rednex came along sporting their brand of techno-bluegrass I thought they had it sewn up, for sure. Except then came The Outhere Brothers, with the moronic, repetitive, genuinely unfunny ‘Don’t Stop (Wiggle Wiggle)’, which none of its many remixes could redeem. In the interests of fairness, I should really listen to them both one more time… But why subject myself to that? ‘Cotton Eye Joe’ is a terrible song, but a song nonetheless. ‘Don’t Stop (Wiggle Wiggle)’ is a mess of tedious beats, shouting and swearing. It wins.

And finally, the 25^th Very Best Chart-Topper. To be honest, the pickings were slim. Plenty of records I liked, few that I love. So I’ll dispense with the usual debating, the umming and aahing, and announce that since this was undoubtedly Take That’s era, I’m giving the award to East 17, for their classic Christmas ballad ‘Stay Another Day’. Tis the season, after all…

To recap the recaps:

The ‘Meh’ Award for Forgettability

1. ‘Hold My Hand’, by Don Cornell.
2. ‘It’s Almost Tomorrow’, by The Dream Weavers.
3. ‘On the Street Where You Live’, by Vic Damone.
4. ‘Why’, by Anthony Newley.
5. ‘The Next Time’ / ‘Bachelor Boy’, by Cliff Richard & The Shadows.
6. ‘Juliet’, by The Four Pennies.
7. ‘The Carnival Is Over’, by The Seekers.
8. ‘Silence Is Golden’, by The Tremeloes.
9. ‘I Pretend’, by Des O’Connor.
10. ‘Woodstock’, by Matthews’ Southern Comfort.
11. ‘How Can I Be Sure’, by David Cassidy.
12. ‘Annie’s Song’, by John Denver.
13. ‘I Only Have Eyes For You’, by Art Garfunkel.
14. ‘I Don’t Want to Talk About It’ / ‘The First Cut Is the Deepest’, by Rod Stewart.
15. ‘Three Times a Lady’, by The Commodores.
16. ‘What’s Another Year’, by Johnny Logan.
17. ‘A Little Peace’, by Nicole.
18. ‘Every Breath You Take’, by The Police.
19. ‘I Got You Babe’, by UB40 with Chrissie Hynde.
20. ‘Who’s That Girl’, by Madonna.
21. ‘A Groovy Kind of Love’, by Phil Collins.
22. ‘Do They Know It’s Christmas?’, by Band Aid II.
23. ‘Please Don’t Go’ / ‘Game Boy’, by KWS.
24. ‘Dreams’, by Gabrielle

The WTAF Award for being interesting if nothing else

1. ‘I See the Moon’, by The Stargazers.
2. ‘Lay Down Your Arms’, by Anne Shelton.
3. ‘Hoots Mon’, by Lord Rockingham’s XI.
4. ‘You’re Driving Me Crazy’, by The Temperance Seven.
5. ‘Nut Rocker’, by B. Bumble & The Stingers.
6. ‘You’ll Never Walk Alone’, by Gerry & The Pacemakers.
7. ‘Little Red Rooster’, by The Rolling Stones.
8. ‘Puppet on a String’, by Sandie Shaw.
9. ‘Fire’, by The Crazy World of Arthur Brown.
10. ‘In the Year 2525 (Exordium and Terminus)’, by Zager & Evans.
11. ‘Amazing Grace’, The Pipes & Drums & Military Band of the Royal Scots Dragoon Guard.
12. ‘Kung Fu Fighting’, by Carl Douglas.
13. ‘If’, by Telly Savalas.
14. ‘Wuthering Heights’, by Kate Bush.
15. ‘Hit Me With Your Rhythm Stick’, by Ian Dury & The Blockheads.
16. ‘Shaddap You Face’, by Joe Dolce Music Theatre.
17. ‘It’s My Party’, by Dave Stewart & Barbara Gaskin.
18. ‘Save Your Love’ by Renée & Renato.
19. ‘Rock Me Amadeus’, by Falco.
20. ‘Pump Up the Volume’ / ‘Anitina (The First Time I See She Dance)’, by M/A/R/R/S.
21. ‘Doctorin’ the Tardis’, by The Timelords.
22. ‘Sadeness Part 1’, by Enigma.
23. ‘Ebeneezer Goode’, by The Shamen.
24. ‘I Would Do Anything for Love (But I Won’t Do That)’, by Meat Loaf

The Very Worst Chart-Toppers

1. ‘Cara Mia’, by David Whitfield with Mantovani & His Orchestra.
2. ‘The Man From Laramie’, by Jimmy Young.
3. ‘Roulette’, by Russ Conway.
4. ‘Wooden Heart’, by Elvis Presley.
5. ‘Lovesick Blues’, by Frank Ifield.
6. ‘Diane’, by The Bachelors.
7. ‘The Minute You’re Gone’, by Cliff Richard.
8. ‘Release Me’, by Engelbert Humperdinck.
9. ‘Lily the Pink’, by The Scaffold.
10. ‘All Kinds of Everything’, by Dana.
11. ‘The Twelfth of Never’, by Donny Osmond.
12. ‘The Streak’, by Ray Stevens.
13. ‘No Charge’, by J. J. Barrie
14. ‘Don’t Give Up On Us’, by David Soul
15. ‘One Day at a Time’, by Lena Martell.
16. ‘There’s No One Quite Like Grandma’, by St. Winifred’s School Choir.
17. ‘I’ve Never Been to Me’, by Charlene.
18. ‘Hello’, by Lionel Richie.
19. ‘I Want to Know What Love Is’, by Foreigner.
20. ‘Star Trekkin’’, by The Firm.
21. ‘Nothing’s Gonna Change My Love for You’, by Glenn Medeiros.
22. ‘Let’s Party’, by Jive Bunny & The Mastermixers.
23. ‘(Everything I Do) I Do It for You’, by Bryan Adams.
24. ‘Don’t Stop (Wiggle Wiggle)’, by The Outhere Brothers

The Very Best Chart-Toppers

1. ‘Such a Night’, by Johnnie Ray.
2. ‘Cherry Pink and Apple Blossom White’, by Perez ‘Prez’ Prado & His Orchestra.
3. ‘Great Balls of Fire’, by Jerry Lee Lewis.
4. ‘Cathy’s Clown’, by The Everly Brothers.
5. ‘Telstar’, by The Tornadoes.
6. ‘She Loves You’ by The Beatles.
7. ‘(I Can’t Get No) Satisfaction’, by The Rolling Stones.
8. ‘A Whiter Shade of Pale’, by Procol Harum.
9. ‘I Heard It Through the Grapevine’, by Marvin Gaye.
10. ‘Baby Jump’, by Mungo Jerry.
11. ‘Metal Guru’, by T. Rex.
12. ‘Tiger Feet’, by Mud.
13. ‘Space Oddity’, by David Bowie.
14. ‘I Feel Love’, by Donna Summer.
15. ‘Heart of Glass’, by Blondie.
16. ‘The Winner Takes It All’, by ABBA.
17. ‘My Camera Never Lies’, by Bucks Fizz.
18. ‘Relax’ by Frankie Goes to Hollywood.
19. ‘You Spin Me Round (Like a Record)’, by Dead or Alive
20. ‘Stand by Me’, by Ben E. King (Honorary Award)
21. ‘It’s a Sin’, by Pet Shop Boys.
22. ‘Theme from S-Express’, by S’Express.
23. ‘Nothing Compares 2 U’, by Sinéad O’Connor.
24. ‘Would I Lie to You?’, by Charles & Eddie
25. ‘Stay Another Day’, by East 17

I’m planning on taking break over Christmas and New Year, but before I go I’ll be back next week with something special on Christmas #1s…