You’ve probably noticed that we’re taking our time to meander through 1980. The #1 records in this year didn’t hang around long at the top, with lots of one or two-week stays. But here comes the longest-lodging chart-topper of the year, the lead single from The Police’s brand-new album, entering at the top, for a whole month.
Don’t Stand So Close to Me, by The Police (their 3rd of five #1s)
4 weeks, 21st September – 19th October 1980
Ominous synths, and some guitar noodling. Not the blockbuster kick-off you might have hoped for. But if The Police’s last #1, ‘Walking on the Moon’, taught me anything it’s that this is a band who don’t mind dragging things out. Then in comes a familiar reggae-rhythm, and in that moment you know exactly who you are listening to.
Young teacher, The subject, Of schoolgirl fantasy… I have a few issues with this record, this eighties reboot of ‘Young Girl’, but first off I do like the short, sharp, tabloidy snippets that make up the lyrics. She wants him, So badly, Knows what she wants to be… Though, the tone is so fraught, the synths so ominous, that I think it would be better suited to an even more serious subject. A killer on the loose, Jack the Ripper, something like that…
As with the band’s first chart-topper, ‘Message in a Bottle’, I’m waiting for something to grab me. Luckily, like ‘Message…’ this record has another great chorus. It whacks the song right into life: Don’t stand, Don’t stand so, Don’t stand so close to me… It’s driving, and catchy, and I wish more Police singles could have kept this sort of pace up throughout.
‘Don’t Stand So Close to Me’ is based on Sting’s own experiences – he was an English teacher before the band took off – and here is where my concerns creep in. ‘Creep’ being the key term. In it the teacher offers the girl a ride, we can assume he sleeps with her, and word travels around… Then we arrive at what is either one of the best or one of the worst rhyming couplets ever to feature in a chart-topping single: It’s no use, He sees her, He starts to shake and cough… Just like the, Old man in, That book by Nabokov… One things for sure: any English teacher worth their salt knows the name of that book!
There is no evidence that Mr Sumners ever had his wicked way with one of his young charges. Though he has gone on record to say that the temptation was real: “I don’t know how I managed to keep my hands off them,” he revealed, in an interview the following year. I mean… I think it might be the modern-day, slightly pretentious, Tantric-sex version of Sting that makes this sit so uncomfortably. Plus, the song comes across as a bit of a humble-brag: oh how awful it was having teenagers throwing themselves at me, so I became a rock star – a profession famous for its limited access to horny sixteen-year-olds…
Anyway. This is an enjoyable song, though I’m still finding it slightly irritating in the same vague and undefinable way that I’ve found all of The Police’s #1s so far. But, not only was it the longest-running #1 of 1980, it was also the year’s biggest selling single. The Police were huge in this moment, at the height of their fame. Four weeks was enough to make this the year’s longest-running, a run which in other years would have been completely average. 1980 will have a total of twenty-four #1s, tied with 1965 for the most up to then. It’s a figure that won’t be matched again until 1996, or beaten until 1998, when #1 turnover was about to reach its peak.
16 thoughts on “467. ‘Don’t Stand So Close to Me’, by The Police”
I can listen to them during this early period…it’s when they reached Synchronicity when frankly…they were boring to me.
I do like this song….but my favorite? A do do do a da da da
I find dododo dadada pretty annoying if I’m being honest… It was the follow up to this. My favourite by far, without giving the game away, is Every Breath You Take
Maybe it’s because I over heard that one…I like the simpler songs in the beginning.
I think we can agree though…we are not the big fans.
No. Especially compared to other bands in the charts at this time… Blondie, Jam etc
Yes and The Cars.
Killer On The Loose was already occupied in late 1980 -Thin Lizzy! The video did a lot of selling of the song – target audience teens with sting pin ups. I really rated this at the time, but it hasnt weathered nearly as well as Invisible Sun, Every Breath You Take, Wrapped Around Your Finger, Synchronicity…an i de dont dont dont rate the follow up. Canary In A Coalmine should have been the single 🙂
Oh yes. Don’t unzip your zipper… You know I’m Jack the Ripper…! Classy! (Joking, I love Thin Lizzy)
I feel like most people mainly remember this song for the hook without thinking too much of what the song’s really about and its more sinister implications outside of just saying to someone not to stand too close to them.
I heard a lot of jokes about this song at the start of the pandemic… Clearly just taking the chorus into account.
In 1980 though, the verses, and the video with Sting as a sexy, and at one point topless, schoolmaster… The message was pretty clear!
Yeah I heard those jokes too. And I bet the female fans at the time must have love the teacher fantasy from the video. Notably, the chorus got so big that Sting just used its melody when he sang the “I Want My MTV” line on Dire Straits’ “Money For Nothing.”
“…having teenagers throwing myself at me…” How does that work? LOL!
My very first rock concert was The Police…Synchronicity Tour 1983-1984.
Then, there’s this:
Ooops… Thanks for pointing out the typo! ‘Themselves at me’, of course.
I dare say there are very few rock stars from the 70s who didn’t do things with young fans that would get them in a whole ton of trouble today…
Yep. Now, they deny, deny, deny… Makes me think of Shaggy’s song “It Wasn’t Me.” LOL!
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