Back to business. Last time out, thanks to teen idol supreme Donny Osmond, we endured a throwback to the soppy ballads of the 1950s. This time out, we have another trip back to the future. Imagine yourself in an American diner, waitresses in pink polka-dots and beehives, frothy milkshakes and burgers on the menu, a Wurlitzer flashing in the corner just waiting for you to drop a dime in and spin the latest smash-hit platter. And then Roy Wood rolls up, all wild hair and glitter, astride his hog. Yes, this is the fifties, Wizzard-ified.
Angel Fingers, by Wizzard (their 2nd and final #1)
1 week, from 16th – 23rd September 1973
First of all, let’s just appreciate motorcycle effect. It means two of the past three chart-toppers have featured heavy revving. It’s clear that artists were having a lot of fun in the studio, throwing whatever the hell they fancied into the mix. Secondly, isn’t this just the most gorgeous, layered, swaying and swooping, pastiche of late fifties, early sixties pop? With a big, big nod to one man in particular – Phil Spector.
As I was lying in my bedroom fast asleep, Filled with those famous teenage pictures that you keep… The singer, Roy Wood, or the character that Wood happens to be assuming for the next four and a half minutes, is a rock ‘n’ roll singer who loves a girl. But she is distracted by teen idol after teen idol (to give this hit its full title: ‘Angel Fingers (A Teen Ballad)’. Will Dion still be so important to you on your wedding day…?
He plans to ride over the café, on his bike, to prove his love. Maybe pick up a guitar and join a rockin’ band. Finally make it big, or maybe just get her to notice him. As with Wizzard’s first #1 – ‘See My Baby Jive’ – the lyrics aren’t really what you’re here for. You want the whole package, the melodies, the fevered imaginings of Roy Wood’s brain condensed into pop perfection. How it lingers, Angel fingers, That’s why I fell in love, With you…
Actually, to call this a mere ‘pastiche’ is unfair. This hangs together as a brilliant song in its own right. Just because it tips its hat to what went before doesn’t detract. It also sounds completely original. ‘Angel Fingers’ gets a bit lost and forgotten, I think, coming between ‘See My Baby Jive’ and Wizzard’s huge Christmas smash. And that’s not fair. I think it might hold together even better than SMBJ – the sensory overload is still there, all the saxophones and drum tracks and French horns cascading over one another, fighting for air time – but it always pulls back before it gets too much.
My two favourite bits are the piano flourishes that start and finish the solo, that I call the ‘Red Dwarf’ bit, for reasons that will be obvious to anyone who has ever watched the show. And then there’s the layered, doo-wop, Beach Boys ending that fades into those French horns, again. Oh baby, it’s perfect. It’s glam, it’s rock ‘n’ roll, it’s doo-wop, it’s Spector, it’s teeny-bopper pop… It’s the entire history of the UK singles chart thus far, in four and a half minutes.
Wizzard only released eight singles before calling it a day in 1975. Two of them reached number one, another was one of the best Christmas songs ever recorded. By that point, Roy Wood had been a member of three hugely influential bands: The Move, Electric Light Orchestra, and the Wizz. Following the split, he went solo, working on projects with bands ranging from Doctor and the Medics, to the Wombles, along with whatever guise he was recording under himself. He produced for many other artists, and tried, unsuccessfully, to have Elvis record one of his songs. He was, is, a genius, and one of those who makes sure this trawl through every #1 single, past every terrible Donny, Dawn or Dana record, remains so much fun.
16 thoughts on “337. ‘Angel Fingers’, by Wizzard”
The seventies went into a big fifties revival and this song holds some of that. Roy Wood is brilliant. The Move, ELO (for a brief spell), and Wizzard…that is great. I’m becoming more of a fan of glam. He made the UK fun…I wish America would have woke up to him.
Yeah, he was great – a real eccentric genius. I’m surprised by the difference between the UK and US charts at this time. The sixties were much more aligned!
Anthem! Adore this fabulous track, though older music fans kept comparing the melody to an ancient Donald Peers song at the time:
I mean, Roy clearly nicked the hook, unintentionally or not, but they are in no other way alike at all!
The UK responded to economic bad times by partying and Glamming it up (one shouldn’t underestimate the importance of colour TV’s – which were catching on big time at this period – to Glam’s popularity dragging us out of Black & White grimness) but as the USA became absorbed by Viet-Nam and Watergate, the main outlet to party to forget came from disco, The Sound Of Philadelphia & beyond. It’s no shock that that was the genre that replaced Glam circa late 1974 until homegrown New Wave burst out vital & alive in 1978…
You can definitely hear the similarity with the Donald Peers song. But hey, taking someone else’s work and making it ten times better worked for Shakespeare, so who are we to judge?
I made the connection between the economic troubles and glam rock somewhere (it may have been in an entry I’ve not posted yet…) but never thought about the link between glam and colour TV. Imagine buying your first colour set and the first thing you see is Roy Wood’s hair!
Pretty much did exactly that 🙂 We got our first colour TV for the ’72 Olympics and the glorious colour on TOTP was the thing that made the biggest impact on me, along with sci-fi in colour, for others it was being able to see the ball in sports! hah! 🙂
Oh, my. Not one but, two saxes. Love the angel wings on the bassist.
As well as clarinets, french horns, three drum kits, and the kitchen sink!
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