The Brothers Gibb’s 2nd number one picks up where their first – ‘Massachusetts’ – left off. Melancholy and minor key-ish. This time, though, with a hint of gospel about it, a touch of something more funky. I like it more than ‘Massachusetts’ (and always have done…)
I’ve Gotta Get a Message to You, by The Bee Gees (their 2nd of five #1s)
1 week, from 4th – 11th September 1968
The lyrics immediately remind me of Tom Jones’ monster hit from a couple of years back, ‘Green, Green Grass of Home’, as they concern a man condemned to die. Is it worth making a new sub-genre of chert-topper? The death row #1? Probably not. In GGGOH, the singer was dreaming in an attempt to escape his inevitable fate. But in this one, the singer is under no illusions. The last rites are being read… The preacher talked with me and he smiled, Said come and walk with me, Come and walk one more mile…
The end is nigh, but he wants to get one last message out to his beloved… I’ve just got to get a message to you, Hold on… Hold on… One more hour and my life will be through… Whether or not he manages to get the message out is never revealed. In the background some very late-sixties percussion and an organ make things sound much cheerier than they should.
Another key difference to GGGOH (something very satisfying about banging that out in caps…) is that we are left in no doubt that the singer dunnit. He killed a man – I did it to him, Now it’s my turn to die… And it might even have been a crime of passion: It’s only her love that keeps me wearing this dirt… Is she grateful, or sad, or has she already shacked up with someone else…?
For the final verse we get a key change. Which means this record about a murderer preparing to face the electric chair ends on a strangely uplifting vibe. He’s still alive at the end, and the listener is left to wonder if maybe, just maybe… I do like a song that tells a story!
As much I like this record, however, there is something irritating about how The Bee Gees sing. While not quite the falsettos from their disco phase, it’s still a bit nasal, a bit whiny, especially after the key-change. Minor quibbles, though, minor quibbles. They would score further hits with classics like ‘Words’, ‘I Started a Joke’ and ‘World’, the latter of which forever has a place in my heart as one of the very few songs that I ever managed to master on a keyboard. This can be seen as the end of The Bee Gees MK I. They will fade from view, chart-wise, for most of the early-seventies, until disco comes along and we meet them again in a decade or so.
9 thoughts on “257. ‘I’ve Gotta Get a Message to You’, by The Bee Gees”
Robin always sounds like he’s dying, anyway…to me.
It was always amazing to me that Robing & Maurice did NOT look like twins but, Barry & Andy did.
I struggle to tell who is who to be honest. And the sixties Bee Gees look so different to the disco Bee Gees…
In the picture you posted, Barry is bottom right. Robin is top left, with all the hair. Maurice has the guitar.
Andy would be just shy of his 10th birthday.
They did transform their image from crooners to tight-pants & chest hair hotties…particularly Barry. Then, Andy showed up…
Ah, I did vaguely know that there was another brother… Seems he was much bigger in the US. What a tragic story, though…
He was 19 when his debut album came out, about 2, 2/12 months before Saturday Night Fever came out. He did well despite still being in his big brothers’ shadows.
The only album of his to chart in the UK was Shadow Dancing (Silver) and only four singles, three from Shadow Dancing and one from his debut album. He was popular in Canada, as well.
Yep. Died from the same thing that got Jeff Porcaro…cocaine habit. Now, Barry is the only one alive.
I really like this song. I must admit…I like this era of them the best I believe.
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