Up next, a quirky little number one. An indie-pop tune about classic Indian movies, by a band who had never previously been higher than #60 in the charts…
Brimful of Asha, by Cornershop (their 1st and only #1)
1 week, from 22nd February – 1st March 1998
‘Brimful of Asha’ had originally been released in 1997, in a more pedestrian, lo-fi version. It’s nice – a different angle on British rock in the late-Britpop years – but it needed a sprinkling of stardust to turn it into a hit. Enter Norman Cook, AKA Fatboy Slim. This is already Cook’s third chart-topping persona, following a spot as a member of the Housemartins in 1986, and with Beats International in 1990.
Compared to some of the other big dance acts of the time – think Prodigy or the Chemical Brothers – Cook’s work as Fatboy Slim has a much poppier, more accessible style. The production on this record – the chunky drum fills, the loops – is very late nineties. But it probably sounds ‘very late nineties’ because Fatboy Slim was one of the defining sounds of that era. ‘Brimful of Asha’ was the launchpad for him to enjoy several years of hits.
And while it does sound rooted in the late-90s, ‘Brimful of Asha’ also has nods back to the sixties in the guitar line, and the fact that Cook added a sample from ‘Mary, Mary’, by the Monkees. The ‘Asha’ in the title refers to Asha Bosle, a famous soundtrack singer and one of the most influential names in Bollywood. And of course there’s the famous hook: Everybody needs a bosom for a pillow, Everybody needs a bosom… It all comes together to create an intoxicatingly catchy song.
Cornershop were from Wolverhampton, and had been ploughing an alt-indie furrow since 1991. Their references to Indian cinema came from founders and brothers Tjinder and Avtar Singh (though Avtar had left in 1995), and the band’s name is a tongue-in-cheek reference to the stereotypical line of work that Indian immigrants tended to take up in the UK. It’s actually quite a big cultural moment, this: British Indians topping the charts with a song celebrating their ancestral country. It’s also a surprisingly early nostalgic tribute to vinyl records (Brimful of Asha on the ’45…) just after the format had been largely killed off, and before hipsters rediscovered it.
Sadly, Cornershop would struggle for hits when Norman Cook wasn’t involved. The follow-up, ‘Sleep on the Left Side’, made #23, and their last Top 100 appearance came in 2004. They remain active, though, both recording and touring. Norman Cook, meanwhile, went from strength to strength after this. In the months following ‘Brimful of Asha’s success, he had his first hit as Fatboy Slim with ‘The Rockafeller Skank’, setting him up for several years of solo success. I have a feeling that his poppy, Big Beat style might have been looked down upon in more fashionable dance circles, but he was always undeniably catchy. And he’ll be back along with his own solo #1 very soon!
The 1997 original:
The Norman Cook Remix:


Still, “Sleep on the Left Side” would later go on to be used as the theme tune to Mark and Lard’s Radio 1 afternoon show..
Ah did it! It does sound familiar, so I presume that’s where I know it from.
I know who Fatboy Slim is, but I’ve never heard this one. This is a really cool song. It’s like a hip hop remix of an alternative rock song. I guess this is big beat right? Has a Britpop/indie rock vibe to it too.
Yes I think it falls under Big Beat… ‘Upbeat Big Beat’, if that’s a thing. It’s a crowd pleaser for sure, and Fatboy Slim was very good at dance-pop remixes of rock and hip-hop originals. I love his versions of ‘Body Movin’ by the Beastie Boys, and Missy Elliott’s ‘Gossip Folks’.
Quirky and charming pop song, Fatboy Norman made it a hit, and quite right too, still sounds fun and positive – if anything it’s not getting as many plays as it used to, so it could do with a comeback push in an advert or movie slot.
Damn I hate when they do this…I like the original…that totally ruined a very cool sounding song….don’t get me wrong…the artists don’t mind lol.
I mean it went from #60 originally to #1 with the remix, so I’d say they probably don’t mind. Even if it completely overshadowed everything else they did.
Oh I’m sure they loved it…but I actually liked the original.