780. ‘Never Ever’, by All Saints

Into 1998, then. The penultimate year of the century, the 46th year of the UK singles charts, and one with a thus-far record thirty number ones. And to start off, there are a few questions that I need to know…

Never Ever, by All Saints (their 1st of five #1s)

1 week, from 11th – 18th January 1998

To be honest, an opening line that clunky could kill lesser songs off before they’ve started. A few answers that I need to know, surely, scans just as well. Anyway, ‘Never Ever’ quickly recovers from that shaky start, by bringing us one of the great spoken word sections. Anyone of my vintage can probably still recite it word for word…You can tell me to my face, Or even on the phone… as well as adding all the backing harmonies.

It takes the sassy soul vibe of 1997’s final chart-topper, the Spice Girls’ ‘Too Much’, and ups both the sass and the soul. All Saints have very good voices, and great harmonies, to the point where you’re tricked into misremembering this as an a cappella track. But their voices are also flawed, like the Spice Girls’, so that you can hear their accents and dropped consonants.

‘Never Ever’ isn’t a cappella, of course, and the production is period-perfect late-90s R&B squelch (this is what we must refer to it as from now on, and we’ll be hearing it a lot as the century winds down). It’s also let down slightly by further clunky lyrics (flexin’ vocabularythe alphabet runs right from A to Z) and simplistic rhymes: Free from pain/ Goin’ insaneSo low/ Black holeSo sad/ Feelin’ really bad… But hey, at least the words stick with you. And by the end, as the harmonies build and the organs start to swirl, you forgive it. The outro is just as good as the famous intro, slipping into a hip-hop beat as the girls’ voices are filtered and distorted.

Having a pop single run over five minutes (six and a half in its album version) is always a risk, spreading a few decent lines and a hook too thin. But ‘Never Ever’ lasts the distance, thanks to the strength of the voices and the melodies, and the way that they continue to build. And talking of being long-running, the song had a particularly slow journey to the top of the charts by 1998’s standards. It first charted in November, then hung around the Top 10 for seven weeks before finally reaching the top in the post-Christmas lull. It set a record for the highest ever sales before making #1 (770,000), and it’s current total stands at 1.5 million. It is the 3rd biggest-selling girl group single of all time in the UK. (You can guess the top two in the comments below…)

It feels simplistic to call All Saints the female East 17 to the Spice Girls’ Take That, but I’m going to do it anyway. The Spice Girls were chaotic and silly, whereas All Saints were all glowering stares, pierced tongues and nose-studs, shacking up with Gallaghers. They were the girls a couple of years above you in the corridor at school, definitely not to be approached under any circumstances. ‘Never Ever’ was only their second single, but it established them as the ‘other’ girl group of the day. In 1998, they’ll even have one more #1 than the Spice Girls. In fact, they’ll have five chart-toppers in just under three years, and all but one of them will be great.

If you’ve been paying attention, you might be expecting a recap in my next post. However I’ve decided that as the turnover of #1s is ever-increasing, and to stop my all-time awards getting too skewed towards the late-‘90s/early-‘00s, I’m going to do recaps after every fiftieth chart-topper until things slow down a bit, sometime around 2003.

2 thoughts on “780. ‘Never Ever’, by All Saints

  1. The only thing I know about this group as a non-Brit is that Liam Gallagher married and had a kid with one of the members (Nicole Appleton I think?) and he cheated on her with a reporter – who he impregnated – several years later. Also, they apparently did a cover of “Under the Bridge” which I haven’t heard but apparently the members of the Red Hot Chili Peppers did not like.

    I like this song. It’s pretty decent though I don’t think it’ll stick with me. It reminds me of a lot of early 70s funk/soul with a bit of gospel influence but with 90s hip hop/pop influenced production.

  2. Not heard this in ages. It’s still nice, I always liked All Saints, great harmonies/vocals and in Shaznay a great songwriter – for proof look no further than Good Mourning, one of the best tracks of 2024 so far, total banger and as good as the best of anything they did (That’ll be Pure Shores then). Her recent stuff has been good, just as ever older pop stars dont get hits unless your name is Coldplay, Rolling Stones, Beatles, Madonna, Kylie or Pink.

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