This week, in a break from our regular schedule, I’m going to be celebrating some acts with plenty of Top 10 hits to their name. Household names, the lot of them. But acts that, for whatever reason, have never made it to pole position.

In fact, the acts I’m going to cover – two bands, two soloists; three whose careers began in the ’80s and stretch to the present day, one who was present on the very first chart way back in 1952 – are perhaps the unluckiest pop stars around. They are the bands and artists who have managed the most Top 10 hits without ever making number one. As recompense for their bad luck, I’ll present to you the three records from each band/artist that came closest…

First up… Well, I kind of gave that away in the title:

Depeche Mode – 14 Top 10 hits between 1981 and 2005

‘People Are People’ – #4 in 1984

None of Depeche Mode’s biggest hits are the tunes you’d expect. No ‘Enjoy the Silence’, no ‘Just Can’t Get Enough’ or ‘Personal Jesus’. ‘People Are People’ was the lead single from their fourth album, and their joint biggest hit (they’ve never risen above #4). The clanking irons and booming cannons that intro this record are almost too ‘eighties’ for me, but they are certainly striking. Interestingly, I’d have thought that this was from a few years later, when the synths in the charts got harsher and tinnier. This record, then, was a trendsetter, a nod towards a Pet Shop Boys, SAW future. The lyrics are the sort that are sadly always going to be prescient: I can’t understand, What makes a man, Hate another man, Help me understand…

‘Barrel of a Gun’ – #4 in 1997

Deep in the midst of the Britpop years, Depeche Mode were on their 9th album, and the lead single was this moody, churning, paranoid beast. It takes a chorus that could have been by Oasis, mixes it with Nine Inch Nails, and some grungy leftovers, and a hip-hop beat for good measure, to create an very unlikely hit single.

‘Precious’ – #4 in 2005

The Mode’s final Top 10 single (to date… who knows?) is also their joint highest charting. By the mid-00s, synth-pop was making a comeback thanks to acts like the Killers, Goldfrapp, the Bravery and more, and Depeche Mode were the granddaddies. Perhaps that’s why they managed such a late career flourish (or perhaps it was the fact that singles sales were in the toilet in 2005). It’s a low-key, melancholy track, written by Martin Gore to his children as an apology for his impending divorce.

Another unlucky artist is up tomorrow, and we’re going right back to the dawn of the British singles chart…