We finally – hooray! – end our run of ballads, in the most emphatic manner possible. It’s as if the Gods of Hi-NRG dance decided that all the fist-clenching and soft-focus videos had gotten too much, and so sent to earth their only son. Pete Burns…
You Spin Me Round (Like a Record), by Dead or Alive (their 1st and only #1)
2 weeks, from 3rd – 17th March 1985
This is a record that starts in the middle. In medias res, if we’re being literary. There’s no build up, no intro of any description. Just a slap! around the chops, a sloppy kiss on the mouth, a nose-full of sweat and poppers… A clanging, throbbing synth beat, and a very distinctive voice.
If I… I get to know your name… Pete Burns sounds almost operatic, the way his voice at times soars, then intones, then growls. Just listen to the way he’s going for it in the fade-out. He sounds mildly terrifying. I-I-I… I get to be your friend now baby… If you did meet him in a club, you’d probably go out of your way not to give him your name. He sounds like he’d eat you alive. And I’ve always misheard the line before the chorus for something truly filthy. What I half-thought was ‘open up your loving hole cos baby here I come’ is actually ‘loving arms…’ (I’m quite disappointed…)
I’ve been quite down on the 1980s while writing this blog and, knowing some of the #1s on the way, I will continue being quite down on the 1980s. But this record is the ‘80s at their best. Yes it’s cheap and trashy, tacky and deep as a puddle… But it’s a perfect floor-filler. It’s also something of a line in the sand… We’ve just passed the midway point of the decade, and ‘You Spin Me Round’ is our first Stock Aitken Waterman produced chart-topper. The sound of the late-eighties, for better or for worse, starts here.
If you were being unkind you could brand Dead or Alive as a knock-off Frankie Goes to Hollywood. The similarities are there: Liverpudlians, brash dance-pop, the sheer gayness of both bands… But while Frankie’s chart-career was fairly short lived, I’m not sure Dead or Alive exist in the public’s consciousness at all beyond this hit. They were together for a long time, though, much longer than Frankie. They were genuinely huge in Japan (their look was a big influence on J-Pop acts of the 1990s). So huge that Michael Jackson apparently had to rearrange his tour dates in the country to fit around Dead or Alive concerts…
I’m also not sure if the general public realises that Dead or Alive were a band, rather than just Pete Burns (I must admit I was surprised to see three other members in the video…) Burns’ personality looms large. I grew up with the heavily ‘enhanced’ version often seen on reality TV and quiz shows in the ‘00s, but even before he found fame he was a force to be reckoned with, sending customers from the record shop he worked in if he disliked their choice of purchase. My favourite Pete Burns anecdote: upon hearing Culture Club’s comeback single ‘The War Song’, he sent Boy George a wreath with a note that simply read: ‘Condolences…’
A couple of years ago, The Guardian did a feature on the 100 Greatest #1 Singles and placed ‘You Spin Me Round (Like a Record)’ at number five, to a lot of derision in the comments section. While I wouldn’t quite have it as the fifth best chart-topper of all time, it is still a very fresh-sounding semi-classic. Though, to be honest, I think I’m just relieved that it’s not a ballad…
14 thoughts on “546. ‘You Spin Me Round (Like a Record)’, by Dead or Alive”
You nailed it! ‘cheap and trashy, tacky and deep as a puddle …’ But boy! Is it hooky?! Just gets right inside your head! 😀
Better than any of those dodgy ballads that preceded it!
Absolutely! : )
The Wedding Singer! I didn’t hear the song much in the 80s because I listened to rock stations and they didn’t play this much…but I must admit. I liked it through that movie.
I’m still in love with Drew Barrymore from that film.
I think I know why you like it… It would work well as a rock song. The synths are basically
Sorry, pressed send too early…
They’re basically guitars!
It does have a little rock feel through the chorus.
Loved itvthen love it now. It upped the bpm on hi energy club music and created a monster. Pete burns vocals remind me of the fab franknfurter Tim Curry in rocky horror: sweet transvestite from transylvaaaania. Not entirely an unlikely influence id say. Love gobby scousers so pete was always good value and they had a great run of follow up hit popclub singles. They never get played but they still sound fun.
Yes there is a Franknfurter feel to his vocals, you are right…
Pingback: 552. ‘Frankie’, by Sister Sledge | The UK Number Ones Blog
Pingback: 554. ‘Into the Groove’, by Madonna | The UK Number Ones Blog
Pingback: Recap: #541 – #570 | The UK Number Ones Blog
Pingback: 576. ‘Don’t Leave Me This Way’, by The Communards with Sarah Jane Morris | The UK Number Ones Blog
Pingback: 587. ‘Respectable’, by Mel & Kim | The UK Number Ones Blog