At the end of my last post, I claimed that I had never heard this song before. I also offered a prayer that it might break our recent run of bland soft-rock…
Chanson d’Amour, by The Manhattan Transfer (their 1st and only #1)
3 weeks, from 6th – 27th March 1977
Well, I can state that I have heard this song before – somewhere, sometime long forgotten. Or, maybe it’s just that this sounds like a standard, a melody that we all have running through us. As for whether it ups the tempo…? It does, a bit.
I like it, though; for it immediately has a boozy, saucy, pub singalong feel to it. A rolling piano, accordions… Chanson d’amour, Play encore… I also like it because, while half the lyrics are French, they are at my level of French – i.e. very basic high school. Chanson d’amour, Je t’adore… And then there’s an inane refrain: rah-ta-rah-ta-dah…
Actually, so bad is the French that I feel qualified to pick them up on it. The pronunciation is well off, coming out more like Chanson d’amooor, Joo t’adooor… Safe to say there were no actual French people involved in the making of this record. But it’s fun. It kind of sounds like Edith Piaf having a singalong, half-cut on Pernod, down an East End boozer.
There’s another saxophone solo. Make that two in a row and throw in a comment about London buses. (This one grates less than ‘When I Need You’, but I still would have preferred them to stick to the piano, or the accordion.) Then we roll to a gentle finish, and I’m left to wonder what on earth this record was doing at the top of the charts in early 1977. It’s completely pointless, but catchy and – praise be! – fun.
Manhattan Transfer were a band from New York, around since the late sixties. They did swing, jazz, a cappella stuff and largely stayed away from the charts until this hit smashed out of nowhere. They are still a going concern, still with three long-term members. ‘Chanson d’Amour’, meanwhile, was first written and recorded in the late fifties, by Art and Dotty Todd. Going off on a complete tangent… the Todd’s had also recorded the original version of another UK #1 single: ‘Broken Wings’, which was one of the very earliest chart-topping singles back in 1953, for The Stargazers. (Never thought I’d be mentioning them again!)
Viewed in this way, then, the record makes more sense. We can slot it in amongst the rock ‘n’ roll revival records – some covers, some originals – that have been peppering the charts for a few years now (Showaddywaddy, the Rubettes, etc.) Meanwhile, perhaps the definitive version of ‘Chanson d’Amour’ came from the cast of ‘Are You Being Served’, in the show’s final episode. Come to think of it, that’s probably how I knew this song… From post-Sunday lunch re-runs as a child.
8 thoughts on “402. ‘Chanson d’Amour’, by The Manhattan Transfer”
I thought The Manhattan Transfer was a movie, isn’t that funny! 🙂
Haha. Well there’s a movie called Manhattan, then there’s Maid in Manhattan…. That’s all I’ve got!
Man Tran were great fun, and often on UK TV, and had a run of great, largely retro swing-era hits, but updated for a new generation and an old generation (they even did disco, see Twilight Zone). Their first hit Tuxedo Junction, was certainly new to me, but appealed as a familiar fave to parents across the land (and grandparents) and was part of a swing/jazz revival in 1976. It may all have started with Laurel & Hardy hitting 2 behind Bo Rap at Xmas ’75, and then moved on to actual Glen Miller having a hit, Maureen McGovern covering The Continental, Robin Sarstedt (bruv of chart-toppers Peter, & Eden Kane) covering My Resistance Is Low, and even the standard from film Gold-diggers Of 1933 Lulluaby Of Broadway charting for Winifred Shaw – which still, I think, holds the record for oldest recording to make the UK charts. So, really, the nation had been primed for this one, and we were all going “rat a tat a tat” on a couple of listens 🙂
I just realised… It sounds perfect as an Xmas novelty smash. One for the kids and the grannies. Just a couple of months too late…
I don’t think it outsold Johnny Mathis, so it prob would have peaked at 2 and we’d have got (checks charts) Leo on top for another week so that’s a downer, plus side the next number one would have got another 2 weeks on top which I’m totally in favour of! Sales in 1977 were substantially up on the early 70’s generally though, and kept increasing through 1978 and 1979, partly due to disco, partly due to new-fangled stereo-cassette-radio machines selling well and like all hot sexy new formats, pushing sales…till the mass unemployment of the 80’s kicked in at any rate.
I remember this one becoming a firm favourite for northern brass bands to add to their repertoire in the late 70s for some reason, once it became a hit
Here you go https://www.youtube.com/watch?v=_uH_IuhQA2M
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