Into 1975, then… And with a big ‘hell yes!’, because look. ‘Tis the Quo!
Down Down, by Status Quo (their 1st and only #1)
1 week, from 12th – 19th January 1975
It’s not a very Status Quo-like intro though: it’s light and jangly, almost Baroque, if that isn’t going too far… But then in it comes, the trademark Status Quo chug. They get a bit of stick – most of it completely undeserved – for sticking by this chugging three-chord formula throughout most of their career. But for their one and only UK chart-topper, it had to be there. Get down, Deeper and down, Down down, Deeper and down… That’s the chorus – I’m listening to the lyrics properly for the very first time – I want all the world to see, To see your laughin’, And your laughin’ at me… And that’s the first verse. It’s a tale of a couple trapped in a relationship-gone-very-wrong, and the singer seems hell-bent on mutual destruction. I know what you’re doing, What you’re doing to me, I’ll keep on and say to you, Again, again, again, again…
I suppose you have to get the idea of ‘getting down’ equalling dancing out your heads. That’s why the band didn’t call the song ‘Get Down’ (that and the fact that Gilbert O’Sullivan had had a #1 by that title a couple of years before.) ‘Down Down’, refers to the fact that the couple are dragging one another down into the mire. They really should split up, or at least take a break, but nope. Down they go. It’s a nasty idea for a rock song, backed up by a nasty, tight, gloriously repetitive riff.
Anyway, that was some very in-depth analysis of a Status Quo song. Let’s stop all that, and just enjoy this moment for what it is: one of Britain’s greatest and most successful rock ‘n’ roll band’s solitary week atop the charts. With one of their best singles. One of their heaviest, too. You can split Status Quo’s career into roughly three parts: the psychedelic years of the late sixties, the heavy blues rock of the early seventies, and the glossier, poppier boogie-woogie rock of the late seventies, eighties and beyond. ‘Down Down’ comes at the end of Part II, but it is still one of the heaviest songs to have topped the charts so far.
I love the frenzied fade-out, with the sledgehammer riff boring its way into your eardrums as it goes. (The album version drags it out much longer, with some bass flourishes, for good measure.) And I love Status Quo. I love that they just keep on keeping on, never caring about being cool, just rocking and rolling, rolling and rocking, despite even founder member Rick Parfitt’s death in 2016. They’ve released over one hundred singles, twenty-two of them reaching the Top 10. And they have a new tour just waiting to go, once the pandemic is over. They are legends.
And I wish this wasn’t the only chance I get to write about them. Hell, I’ll do a Status Quo Top 10, soon, just because I can. (They will be involved, uncredited, in one other chart-topper, in the mid-90s, but it is genuinely awful and I can’t bring myself to mention it until I absolutely have to…) I’ve been listening to them since I was a kid, and they are still a go to on the home commute after a hard day. In fact, I might be getting carried away but… I don’t think there’s a more enjoyably unpretentious listening experience to be had than their ‘Anniversary Waltz’ – a ten minute medley of old rock ‘n’ roll covers. Here’s a link… Rock on.
Before we get into 1975, why not listen to (almost) every number one since 1952…