Random Runners-Up: ‘American Pie’, by Don McLean

It’s that time of year, when I fire up my random date generator (random.org, for all your randomly generated needs) and choose some number two singles from across the ages.

In the main Number Ones blog we’ve reached mid-1993, and so the runners-up I picked could have come from any chart dated between then, and the very first in November 1952. I’m not choosing these hits because I like them, or dislike them… I may not have even heard of them. It’s all random. And yet, the first #2 that pops up just happens to be one of the most famous of all time…

‘American Pie’, by Don McLean

#2 for 3 weeks, from 27th Feb to 18th March 1972, behind ‘Son of My Father’ and ‘Without You’

On the one hand, great that this classic gets a post. It’s a #1 on every metric – cultural heft, recognisability, singalongability – except the one metric that matters when it comes to getting a #1: sales. On the other hand… What’s left for little old me to write about this colossus?

Thirteen-year-old Don McLean was doing his paper round, or so the story goes, in February 1959, when he read the news of the plane crash that killed Buddy Holly, Richie Valens and the Big Bopper (and their pilot) AKA ‘The Day the Music Died’. February made me shiver, With every paper I’d deliver…

The song then goes on to detail the history of rock music from the late fifties to the early seventies, with cryptic references to Elvis, Dylan, the Beatles, the Stones and more, as well as nods to the big news events of the age: the Kennedy assasination, the Cuban Missile Crisis, and the Manson family among them. I know this not because I understand the lyrics; I just read the Wikipedia page.

Like all great poetry, it could mean all the above, or it could mean something completely different. When asked what it’s all about, McLean famously answered: ‘It means I don’t ever have to work again…’ When talking more seriously, he’s compared it to Impressionism. And of course, his next big single would be about a very famous (post) impressionist… Which would make #1.

At over eight and half minutes long, ‘American Pie’ initially had to be split over two sides of a 45′ record, which means people (including me) are much more familiar with the first four minutes than the latter four. In fact, listening to the pub singalong last chorus now, I’m not sure I’d ever heard it before. It is the sixth longest record to chart in the US, and held the record for the longest ever Billboard #1 until 2021.

Before I end this post, I have to give an advance trigger warning. ‘American Pie’ may not have made #1 in its original form, but a version by a certain Queen of Pop will make the top of the charts in the early 2000s. I’m someone who will defend Madonna until the cows come home, but even I might struggle to justify that particular musical decision…

Top 10s – Buddy Holly

February made me shiver, With every paper I delivered, Bad news on the doorstep, I couldn’t take one more step…

Sixty-one years ago today, a light aircraft slammed into a field in Iowa during a snow-storm, killing everyone on board. The four passengers were Ritchie Valens (a seventeen-year-old up and coming rock ‘n’ roller), J.P. Richardson (AKA The Big Bopper, of ‘Chantilly Lace’ fame), pilot Roger Peterson, and Charles Hardin Holley. Buddy Holly.

The Day the Music Died has passed into folklore. I’m not going to write about that today. Rather, for my 2nd artist’s Top 10 post – check out the first one I did here – I’m going to list my favourite UK hit singles from a man whose legacy stretches far. The Beatles, The Stones, punk rock and power pop – they all owe a big debt to Buddy.

investigators-may-reopen-buddy-holly-plane-crash-fdrmx

As before, I’m restricting myself to ‘A’-sides of singles that charted in the UK. So no ‘Everyday’, no ‘I’m Gonna Love You Too’, no ‘Not Fade Away’, and no ‘You’re So Square… Baby I Don’t Care’. Don’t blame me… Blame the people that didn’t buy those singles, or the record labels that never released them…

10. ‘Think It Over’, with The Crickets, 1958 – peaked at #11

People sometimes forget that Buddy Holly recorded some down and dirty rock ‘n’ roll. Maybe it’s the thick-rimmed glasses that make him seem a little more, how to say, cerebral, than Elvis or Little Richard… But while he was able to add more subtlety than most of his contemporaries, ‘Think It Over’ has swagger and attitude to spare. Is she sure she doesn’t want him? Really sure? Maybe she should think it over… Great piano solo, too.

9. ‘It Doesn’t Matter Anymore’, 1959 – reached #1

Holly’s only solo #1, three months after he died. More strings than you’d expect from a rock ‘n’ roll single, and a very memorable vocal performance. Lots of trademark hiccups and southern drawl. The video above starts with a snippet of ‘Heartbeat’… not sure why. Read my original post on ‘It Doesn’t Matter…’ here.

8. ‘Reminiscing’, 1962 – reached #17

Some sexy sax, and a quality chugging riff. And Buddy’s voice. I’ve always loved the way he has fun with the line You’re a mean mistrea-ea-ea-ter… This peaked in the early sixties, along with several other gems from his back catalogue.

7. ‘What To Do’, 1965 – reached #34

https://www.youtube.com/watch?v=DUaJbTIBI8k

Since this was never a big hit in Holly’s lifetime, you can hear it in all manner of overdubbed and re-imagined versions. I’ve gone for this stripped-back one, though. Just Buddy Holly and a guitar, so close to the mic that you can hear his breathing. It was a minor hit a full six years after his death. I love the lines about ‘soda pops’ and ‘walks to school’, that by the mid-sixties must have sounded very old-hat.

6. ‘Early in the Morning’, 1958 – reached #17

https://www.youtube.com/watch?v=o-uxjLEBWCA

Some more swagger from Mr. Holly. We-e-e-e-el, he crows at the start, You gonna miss me… To be honest he doesn’t sound very heartbroken. In fact he might just be enjoying the break-up. I love his vocals here, one second yelping, the next growling…

The Top 5 were all Top 10 hits in the UK, all priceless slices of rock ‘n’ roll goodness:

5. ‘Maybe Baby’, with The Crickets, 1958 – reached #4

Every Buddy Holly song has a little detail – beyond the lyrics and melody – that makes it stand out. In ‘Maybe Baby’ it’s the reverb on the guitar. A near perfect pop song.

4. ‘Peggy Sue’, 1957 – reached #6

 

Buddy’s first ‘solo’ single – even thought The Crickets are clearly accompanying him in videos around online… It was written for the drummer, Jerry Allison’s, girlfriend after they had temporarily split up. Probably more groundbreaking than the 3 songs I’ve chosen above it… That drumbeat for a start is like nothing heard in a rock ‘n’ roll single before. Just my personal preference. The moment when the electric guitar comes in. My, my, my…

3. ‘That’ll Be the Day’, with The Crickets, 1957 – reached #1

If the plane crash was The Day the Music Died, then this is the moment it all began. The jingle-jangle intro, the hiccuping voice, the John Wayne inspired hook… My favourite bit has always been the start of the second verse – the country twang on the: well-a, when Cupid shot his dart… Read my original post on this number one record here.

2. ‘Oh Boy!’, with The Crickets, 1957 – reached #3

Teenage angst – you can here my heart a-callin’ –  and lust – a little bit of lovin’ makes the everythin’ alright – in The Crickets 2nd big hit. Holly’s vocals rasp, yelp and strain against the conservatism of 1950s America, and it just pips ‘That’ll Be the Day’ into the runners-up slot…

1. ‘Rave On’, 1958 – reached #5

We-a-he-a-he-al… The opening second of this record already seals its place as an all-time great. The way he stretches out the opening syllable is sublime, and then it morphs into a proto-punk number with its relentless riff surfing along in the background. One minute fifty seconds of rock ‘n’ roll brilliance, the well from which so much modern pop music springs…

Charles Hardin ‘Buddy’ Holley

September 7th 1936 – February 3rd 1959.