Cover Versions of #1s – The Sugarhill Gang & Shirley Bassey

Our next couple of covers… Aren’t really cover versions at all. More re-imaginings of #1 hits…

‘Apache (Jump On It)’, by The Sugarhill Gang – #53 on the Billboard Hot 100 in 1982

(Originally a #1 in August 1960, for The Shadows)

The instrumental ‘Apache’ has passed through as many hands as an old five pound note. Originally recorded by Bert Weedon, it was then released to great acclaim by The Shadows – resulting in their first solo chart-topper. In the US, meanwhile, the version that hit big was by Danish guitarist Jørgen Ingmann in 1961, making #2. Skip forward a few years, the Edgar Broughton Band took the guitars and chopped them up with some Captain Beefheart to create this. And then, the Incredible Bongo Band did this:

Their über-funky version became a touchstone of early hip-hop, sampled by LL Cool J, The Roots, and The Sugarhill Gang, the band that had scored the first big rap hit: ‘Rapper’s Delight’, a #3 in 1979. In the space of twenty two years, then, ‘Apache’ had gone from atmospheric instrumental to raucous hip hop, featuring lines like: Custer, Jump on it, Jump on it… and To all you girls that wanna join my tribe, Just move to my rhythm and feel my vibe…

‘As I Love You, by Shirley Basseyalbum track from 1969

(Originally a #1 in February 1959, for Shirley Bassey)

No, not a typo… This one isn’t a straightforward cover version, either. Ms. Bassey is covering herself. Well, if anyone can, it’s her. For her 1969 album, ‘Does Anybody Miss Me’, Dame Shirley re-recorded her first #1 hit from a decade earlier. I actually discovered the remake first, and had started to write my post on it before sensing something was wrong. The 1969 version is light, fun, playful… very ‘swinging sixties’. I thought it sounded ahead of it’s time for 1959. Alas, I was right. It was ten years off. The 1959 version that I had to write my original post on is slower, weightier, and nowhere near as playful. Bassey belts it out as only she can… but it’s very old-fashioned. Give me the later version any day!

A couple more tomorrow!

81. ‘As I Love You’, by Shirley Bassey

And so – as happens every once in a while on this countdown – we meet a legend. A British legend, at least. And not ‘British Legend’ as in Robin Hood or Merlin or anything like that. No, no, no. I mean ‘British Living Legend’ – as in Barbara Windsor, or David Attenborough, or Sir Clifford of Richard. People so woven in to the very fabric of British life – of Saturday evenings on ITV and audiences with the Queen – that everybody upon everybody upon everybody knows them.

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As I Love You, by Shirley Bassey (her 1st of two #1s)

4 weeks, from 20th February – 20th March 1959

Dame Shirley Bassey is one of these people (she is a Dame after all), and the foundations of her ‘National Treasure’ status were laid right here: in the singles charts of the late 1950s, and in this polished and expertly sung record. It’s a very good song: a grown-up ballad of a pop song. But, and after that big old build up I feel a bit bad writing this… I’m not really feeling it.

It starts with a flourish, and then: I will love you, As I love you, All my life… Ev’ry moment spent with you, Makes me more content with you… She loves a guy. Loves him a lot! Ev’ry single, Touch and tingle, I adore… Ev’ry kiss from you to me, Always seems so new to me… Each one warmer, Than the one before… It’s a love song in the very purest sense – in that it’s a song about being utterly in love. Which is nice, I suppose. There’s certainly a real sparkle in her voice, with just the cutest whiff of a Welsh accent, and if the quality of her singing were being judged by a panel then she might just sweep the board. And the ending… My that ending. She gives it everything, and then some. AND MOOOORRRREEEE…. It’s another real throwback of a record, following hot on the heels of Jane Morgan’s – albeit somewhat jazzier – ‘The Day the Rains Came’.

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Why, then, am I struggling to like this song? Well, it wouldn’t be the first time I’ve failed to really ‘get’ one of the many old-time ballads that we’ve featured thus far. ‘Stranger in Paradise’, ‘Secret Love’ and ‘Three Coins in the Fountain’ were all records that somewhat passed me by, and that’s before we get to the God-awful Eddie Fisher and David Whitfield efforts. ‘As I Love You’ is nowhere near as terrifying as anything by either of those chaps, but I’ll have to file it under ‘Can appreciate; Can’t enjoy.’

The situation isn’t helped by the fact that I originally found a version of ‘As I Love You’ that was much jazzier, much snazzier, and sung at a much higher tempo. I was all prepared to write a post championing it as one of the best tracks so far – it really was that good. It sounded so modern that I was going to announce it as the first ‘1960s Number One’. But something nagged at me as I listened. Something sounded too good to be true… And it was. The version I had been listening to – click here for a listen, it’s good isn’t it? – was a re-recording from, I’m guessing, the late sixties / early seventies. Sigh.

But! We shouldn’t judge a record by what it is not. ‘As I Love You’ is the first chart topper by Dame Shirley of Bassey, the foremost British female voice of the past half-century, the yin to Sir Cliff’s yang (and note that she got to the top a good few months before Cliff ever did). She will only get one (one!) more chart-topper and I will perhaps shock you when I reveal that it is neither ‘Goldfinger’ (#21), nor ‘Big Spender’ (#21) nor ‘Diamonds Are Forever’ (#38!), but something else entirely. Stay tuned.

It is also the very first Welsh #1, meaning that we finally complete our ‘British Isles Chart-Toppers Map’ by adding Dame Shirley to hits from The Stargazers (England), Ruby Murray (Northern Ireland) and Lonnie Donegan (Scotland). So – this record is many things. And yet… It could have been, and later was, so much more!