609. ‘With a Little Help from My Friends’ / ‘She’s Leaving Home’, by Wet Wet Wet / Billy Bragg with Cara Tivey

Our next #1 is an interesting concept, and (I think) the only chart-topping example of it: a double-‘A’ side with songs by two different artists…

With a Little Help from My Friends / She’s Leaving Home, by Wet Wet Wet (their 1st of three #1s) / Billy Bragg with Cara Tivey (their 1st and only #1s)

4 weeks, from 15th May – 12th June 1988

Actually, the songs on the recent M/A/R/R/S double-‘A’ were by two different bands in all but name, but OK… This definitely is. A fun pop-soul cover by a hot new lad-band (that presumably got most of the airplay at the time), and a more introspective offering on the flip side. Both are Beatles covers – ‘Sgt Pepper’s’ covers, no less – and were recorded for children’s charity Childline.

Which means we have to sound the Charity Record alarm! But, actually, this is one of the best charity singles of the decade. Perhaps ever. There’s no gimmick, nobody is dicking about, there are no misguided attempts at comedy. Just two solid Beatles covers. Wet Wet Wet’s take on ‘With a Little Help…’ is fine, though not a patch on either the original or Joe Cocker’s OTT version. It’s perky, fast-paced, with a soaring organ, and a little bit of over-singing from Marti Pellow… The ‘friends’ in this version are the kind folks at Childline (as the video makes clear). Though I’m not sure they’re the sort you’d ‘get high’ with… No matter, Pellow glides past that line without blinking.

It’s nothing special, but when you think of some of the horrors inflicted on classic rock songs by X Factor alumni in the name of charity then you’ll take ‘nothing special’ all day long. In fact, it’s a pretty low-key intro for a band who will go on to have one of the biggest number one singles of all time. But that particular beast can wait… For now, Wet Wet Wet were a likeable bunch of lads from Clydebank, who’d had a run of Top 10 hits following their 1987 breakthrough ‘Wishing I Was Lucky’ (and who make it two Scottish chart-toppers in a row, following Fairground Attraction’s Eddi Reader).

And on the other side? Well, considering that the charity album this single came from was produced by the NME, and featured covers from The Fall (‘A Day in the Life’) The Wedding Present (‘Getting Better’) and Sonic Youth (‘Within You Without You’), perhaps Wet Wet Wet were actually the surprise inclusion? Billy Bragg is an activist, a left-wing folk-punk songwriter, and possibly the ultimate Pointless answer to ‘Artists with a UK #1 single’.

His take on ‘She’s Leaving Home’ with his long-time collaborator Cara Tivey on piano, is something different – both in terms of the peppy song on the flip-side, and in terms of chart-topping singles in general. Few pop hits can have featured an accent as uncompromising as Bragg’s, for example. Though the kitchen-sink drama in the lyrics… She’s leaving home after living alone for so many years… is very on-brand for him. It’s a pretty take on the original, and another win for ‘80s indie which, after The Housemartins and Fairground Attraction, is actually getting more of a crack at the top spot than I’d have anticipated.

I like the concept, and the contrast between the two songs… but neither comes close to its original. And I say that as someone who doesn’t even rate ‘Sgt. Pepper’s’ as much as certain of the Beatles’ other studio albums (at least the two before and the two that followed it…) There now, I feel like I’ve outed myself as a complete Philistine… Up next, perhaps a post on why I’ve always found Bob Dylan overrated… Or maybe not.

260. ‘With a Little Help From My Friends’, by Joe Cocker

I recently did a series of posts on cover versions of #1 songs – previous chart-toppers that had been reimagined in different ways by different artists. ‘Different’ being the important word – a good cover version should bring something new to the table. What’s the point in releasing a karaoke version of the original? And while we have had plenty of cover versions hit number one already, this one takes the concept to another level.

Joe Cocker

With a Little Help From My Friends, by Joe Cocker (his 1st and only #1)

1 week, from 6th – 13th November 1968

The Beatles’ version of ‘With a Little Help From My Friends’ had been released the year before, on the ‘Sgt. Pepper’s Lonely Hearts Club’ LP. Joe Cocker, a British blues-rocker who had been around for a few years without enjoying much chart success, took it and made it his own. It’s slower, heavier, longer, downer and dirtier… Re-acquaint yourself with the original here, then settle in for the Cocker treatment.

It begins with a distant organ, as if you were standing outside a church before evensong. It’s an ominous build-up… You’re ready for something to happen. Then wham. Guitar! Proper hard-rock guitar. Hendrix and Clapton kind of guitar. The type of guitar that’s been nowhere near the top of the charts before. It’s bombastic, and outrageous. It makes you want to make devil-horns and punch the air.

The lyrics are the ones you know. What would you do, If I sang out of tune, Would you stand up and walk out on me…? But it sure isn’t Ringo singing it. Cocker’s voice is husky, and soulful. He delivers the lines late, squeezes the words in before the next one comes along. The backing singers, so important in any version of this song, sound like a gospel choir: How do I feel at the end of the day…? Are you sad because you’re on your own?

The best bit is the bridge – the Do you need anybody… bit. The guitars go super heavy and crunchy, like a motorbike revving up. The second time around, especially, when Cocker howls and the backing singers soar and we launch into the final minute of a mini rock-opera. I know we’ve had a lot of soul number ones in recent years – The Small Faces, Chris Farlowe, Long John Baldry and more – but this takes it to the next level.

s-l400

It kind of sounds a bit like a jamming session, or at least a live version, and that really adds something to the song. They captured lightning here. They would never have been able to re-record this exactly the same – it’s too raw, too intense. It lacks the polish of a regular #1 single, but you’re oh so glad that it somehow managed to have its week in the top spot

As I mentioned, it’s another long number one. You wait years for a #1 single that lasts longer than five minutes, then three come along at once. And that’s not all that links this to the previous two #1s. We’ve now had a number one recorded by The Beatles (‘Hey Jude’) replaced by one that was produced by a Beatle (‘Those Were the Days’) replaced in turn by a number one written by The Beatles. In case you’ve lost count, this is the fourth Beatles cover to reach the top in the past five years. They may have been reaching the end of their career as a band, but their grip on the charts wasn’t weakening.

We end in a frenzy of organs and guitars, as Cocker ad-libs over the fade-out. Phew. It’s not a subtle re-interpretation, I will admit, but for me it works. I knew this record by reputation, but it’s been great to give it an in-depth listen. ‘With a Little Help From My Friends’ is a song that will pop up another two times in this countdown, and I don’t think it’s giving too much away to say that neither of the upcoming covers are fit to lick this one’s boots…

Joe Cocker will only have one more Top 10 hit, until the early-eighties when he will record ‘Up Where We Belong’ with Jennifer Warnes for the soundtrack to ‘An Officer and a Gentleman.’ From Sheffield, but sadly no relation to Jarvis Cocker, he was still scoring Top 20 albums in the ‘00s and the 2010s. He died in 2014.