will young

937. ‘The Long and Winding Road’ / ‘Suspicious Minds’, by Will Young & Gareth Gates

/ UK #1s blog / 12 Comments

After two solo number ones apiece, it was surely inevitable that a Pop Idol Top Two duet was on its way…

The Long and Winding Road / Suspicious Minds, by Will Young & Gareth Gates (their 3rd of four #1s each)

2 weeks, from 29th September – 13th October 2002

And after two solo number ones apiece that I’ve tried to make the best of, and in some cases quite enjoyed, it was surely inevitable that my patience would run out. It’s not just that it’s the sixth Pop Idol #1 in barely six months, and it’s not just that they’re desecrating both the Beatles and Elvis. It’s both those things, but also the fact that both these songs are sooo very dull.

Their take on ‘The Long and Winding Road’ starts off as the sort of lounge-pop that male-female duos perform in the background of posh hotel buffets, under strict instructions to be as bland and inoffensive as possible so as not to distract people from their lobster. It picks up a little, and the harmonies are nice, but I’m not sure I’ve ever heard it before. Which is odd for a two-week number one in 2002, when I was amid one of my chart-watching phases. Or it’s entirely possible that I’ve just forgotten.

Interestingly – potentially the only interesting thing about this record – that song is a duet while the other is left entirely over to Gareth. His cover of ‘Suspicious Minds’ featured on the soundtrack to Disney’s ‘Lilo & Stitch’, and is bad in a completely different way. Although Gareth Gates is not vocally on a par with Elvis (newsflash!), it is upbeat, it is perky, and it sounds like he is having fun. But it has that classic, syrupy, karaoke production that reality TV singing shows will became famous for, with any potential edge polished away to nothing.

I’m not one for venerating the sacred cows of pop. I say have at them. One of my favourite covers of a Beatles song is Tiffany’s clattering ‘I Saw Her Standing There’. And of course Elvis’ and the Beatles’ back-catalogues is filled with covers, of varying quality. But for God’s sake, do something interesting. Add something to the conversation, for better or worse. It’s not as if ‘The Long and Winding Road’ is many people’s favourite Beatles’ song in the first place. And while ‘Suspicious Minds’ is an undisputed classic, Fine Young Cannibals proved that it was possible to reimagine it and not piss off too many people. Hell, even Will Young’s cover of a cover of ‘Light My Fire’ had something interesting about it.

But then ‘something interesting’ isn’t often in the remit of Simon Cowell and his production team. You do wonder if the choice of artists being covered here was intentional trolling, but I suspect it was just further proof of a lack of imagination. We’ll do Elvis and, um, The Beatles! This was still actually quite avant-garde for a Cowell release. If he had his way, he’d probably be happy with a never-ending parade of ‘Unchained Melody’ covers.

I imagine Gareth was happier than Will when doing these covers, but that’s probably based on the direction their careers went in the years after Pop Idol. 2003 will bring one final chart-topper for both, and these songs will give a clearer indication of what lay in store for either boy.

929. ‘Light My Fire’, by Will Young

/ UK #1s blog / 7 Comments

‘Pop Idol’ champion Will Young returns with something a little more original than his bland winner’s single…

Light My Fire, by Will Young (his 2nd of four #1s)

2 weeks, from 2nd – 16th June 2002

Okay, original might be a stretch. It is another cover, this time of the Doors’ ‘Light My Fire’. But the treatment he gives this sixties classic is light and breezy. Presumably knowing that he couldn’t give it the full-blooded Jim Morrison treatment, Young goes for a slinky, still very sixties-coded, approach. There’s a sexy bossa nova beat, and a pretty cool guitar solo. It owes much more to José Feliciano’s version (a bigger hit in the UK) than the original.

It’s actually… okay. You may detect a hint of surprise there, and you’d be right. Back in 2002, when I was sixteen, it was very much the done thing to write this single off without actually listening to it, and to make sure everyone knew that you knew this was a cover. ‘Oh my God, I can’t believe he’s done that to the Doors’, we could be heard saying, probably without very many of us having actually ever heard the original, or even knowing about the existence Feliciano’s version.

This was the first sign that Will Young might have had something about him, a hint at a career beyond the Simon Cowell sludge factory. That wouldn’t become fully apparent until his second album, but the signs were here. Compare this with Gareth Gates’ – still very successful – second single (coming up on top of the charts soon, don’t you worry!)

Young had performed ‘Light My Fire’ during his auditions for ‘Pop Idol’, so he presumably liked the song – not something that he would say about ‘Evergreen’. He also performed it at the Eurovision-esque ‘World Idol’, in which the winners from various ‘Pop Idol’ franchises around the world competed against one another. He finished fifth.

With all this talk of ‘Light My Fire’s different versions, we need to mention Amii Stewart’s disco version, twice a UK Top 10 hit, and Shirley Bassey’s fabulously dramatic version from 1970. However, and possibly quite boringly, I’m going to stick my neck out for the seven-minute acidic psychedelia of the Doors. Sometimes the original is simply the best. And as much as Young’s version is tolerable, it’s still unfortunate that it gave the song a higher chart-placing than any of these classics.

921. ‘Anything Is Possible’ / ‘Evergreen’, by Will Young

/ UK #1s blog / 3 Comments

A year on from Hear’Say, we meet our second reality TV pop star. And there have been few bigger stars to come from reality TV than Will Young.

Anything Is Possible / Evergreen, by Will Young (his 1st of four #1s)

3 weeks, from 3rd – 24th March 2002

And unlike Hear’Say, whose auditions and journey to stardom were left in the hands of a trio of judges, Will Young won ‘Pop Idol’ after a public vote – the highest ever public vote across any of the subsequent singing contest formats. His debut single, both songs from which Young had performed in the live final, became the fastest selling single of all time, selling almost half a million copies in its first day, and 1.1 million by the end of its first week.

A landmark single, then. Which begs the all-important question. Is it any good? Well, no. Not really. ‘Anything Is Possible’ sets the lyrical template for winners singles, with lyrics about overcoming obstacles and never giving up. I’m flying high, Like the wind, Reaching the impossible, I’ll never doubt again… Blah, blah, blah.

Musically it is bland and predictable, and already dated, with the tempo and smooth beats of a mid-nineties ballad (the intro smacks of ‘2 Become 1’). It had been written to order in three hours by Cathy Dennis and Chris Braide, after Simon Cowell had enjoyed their work on S Club 7’s ‘Have You Ever’. I’m not sure I hear much of HYE in ‘Anything Is Possible’, and despite not giving that one much a write-up when it made #1, it is an infinitely better tune.

Strangely, despite ‘Anything Is Possible’ (I keep mistakenly typing ‘everything is ‘pissible’ – is there such a thing as a Freudian finger-slip?) being listed first, I only remember ‘Evergreen’ getting played at the time. And that’s fair, because it is the better song. It has a chorus that you actually remember, and a certain soaring quality to it. Maybe it wasn’t pushed as much due to the fact that it had appeared on Westlife’s most recent album. The boys in Westlife claimed it as one of the weakest songs on the LP, though maybe that was just sour grapes at Young having such a big hit with it.

It also has a Westlife-grade key change, and a huge final chorus. Will Young had just won a singing contest, and so he does obviously have a good, clear voice. It’s a voice you can instantly identify, though I find it a little nasal at times. He, inevitably, has gone on record multiple times to say how much he dislikes both of these songs, and how he will never perform them again without being paid lots and lots of money. To be fair, it would be hard to imagine one of Britain’s most famous gay men singing a line like you’re the only girl that I need…

Despite this marking the start of the X-Factor Age (I know he won ‘Pop Idol’, but it’s a catchier title), it’s hard to apportion much of the blame to Will Young, who has gone on to make some good pop music, to carve out a twenty-year career in the industry, and who seems like a nice guy. At the same time, the heart sinks to realise that this is the first of seven reality TV #1s we’ll meet in 2002 alone… Starting with the young lad with a stammer who finished narrowly behind Young, up next.