the first cut is the deepest

Cover Versions of #1s – ‘I Don’t Want to Talk About It’ / ‘The First Cut Is the Deepest’

/ UK #1s blog / 6 Comments

We finish Cover Versions week with a two-for-the-price-of-one deal. Rod Stewart scored his 4th number one in 1977 with two covers of acoustic classics – ‘I Don’t Want to Talk About It’ and ‘The First Cut Is the Deepest’. I was a bit hard on it when recapping (I gave it a ‘Meh’ Award), and by far the most memorable thing about the record is that it kept the Sex Pistols’ ‘God Save the Queen’ off the top… fairly or otherwise.

But really, both songs are quite lovely. If either had topped the charts on their own, it would have been fine. Both together, with Rod dragging the arse out of them, and I got a bit bored. Luckily for us, there are plenty of other versions of both songs for us to get our teeth into.

Both songs existed before Rod got his hands on them. ‘I Don’t Want to Talk About It’ was recorded by US band Crazy Horse, for their first album after Neil Young had left them to form Crosby, Stills, Nash & Young. Stewart didn’t stray very far from this when recording his own hit version. It’s very early-seventies country-rock, and hides a tragic backstory in the fact that the writer (and singer of this original) Danny Whitten would die of a drug overdose barely a year after it was recorded.

For something a bit different, we’d have to wait until 1988, when Everything But the Girl made #3 with their own version. In truth, it’s more the band performing it that makes this one stand out, as it’s a similarly heartfelt, acoustic take, albeit it with a few more strings. This was the duo’s only Top 10 hit between their debut in 1982, and their now signature song ‘Missing’ in 1995.

‘The First Cut Is the Deepest’ dates back further than ‘I Don’t Want…’, as it was written by Cat Stevens in 1965. Stevens sold the song for thirty pounds to US soul singer P.P. Arnold, who was the first to have a hit with it in 1967. Her version has an interesting production: part-Motown, part-sixties beat band, part-soul stomper… Sonically it’s more enjoyable, for me, than any of the more straightforward, guitar-led versions.

Cat Stevens would eventually record his own version as an album track, while it was a Canadian number one in 1973 in a particularly strident version by Keith Hampshire. Then thirty years later, Sheryl Crow brought the song back to the charts with a fairly predictable cover, put out as the ‘new’ single on a Best Of album. By far the most unusual cover of ‘The First Cut Is the Deepest’, though, came in 1995 from Swedish rapper Papa Dee. It’s a classic slice of mid-nineties reggae-pop, complete with an Ace of Base beat and a ragga break in the middle. I’m suprised it wasn’t a hit in the UK, given how many reggae interludes we’ve enjoyed in recent months. Still, it was popular across Europe, especially in Scandivania, where it went Top 10 in Sweden, Denmark, and Norway.

I hope you’ve enjoyed ‘Cover Versions’ week, and have perhaps heard a version of a well-known hit that was new to you. I know I did! This weekend we’ll get back to more familiar songs, and artists, starting with possibly the most anticipated single of the 1990s.

405. ‘I Don’t Want to Talk About It’ / ‘The First Cut Is the Deepest’, by Rod Stewart

/ UK #1s blog / 8 Comments

The most interesting thing about this next number one is the song which could, maybe should, have replaced it at #1. More on that later. First, Rod’s got some ballads to sing…

I Don’t Want to Talk About It / The First Cut Is the Deepest, by Rod Stewart (his 4th of six #1s)

4 weeks, from 15th May – 12th June 1977

Actually, another interesting thing is that ‘I Don’t Want to Talk About It’ comes from the same album – ‘Atlantic Crossing’ – as Rod’s last chart-topper, ‘Sailing’, which reached the top almost two years ago! That’s a pretty rare feat, mining a LP for singles for that long.

Perhaps you can tell that I’m grasping for interesting things to write about this one, as I’m not finding the music all that gripping. It’s fine: Rod Stewart knows his way around an acoustic ballad like this in his sleep. And perhaps that’s the problem – it’s Rod on autopilot. It’s not got the novelty factor, or the drive, of ‘Maggie May’, or the ridiculous singalong chorus of ‘Sailing’. It’s simply pleasant.

I like the way the strings and guitars lift us to the chorus line: I don’t wanna, Talk about it… Which in itself is also a great line, sung with a lot of feeling. But it’s not enough to hang a whole, five-minute song on. (And that’s another thing – did nobody suggest a ‘single edit’ for this one?)

The guitars, fried and country, are cool, but especially towards the end the song does begin to meander. ‘I Don’t Want…’ was a cover of a 1971 song by Crazy Horse, Neil Young’s sometime band. Rod hasn’t strayed too far from the original, though his version is more polished… and that’s not a good thing. Anyway. What could we possibly need after that? Another heartfelt ballad, of course.

‘The First Cut Is the Deepest’ is another, probably more famous, cover, this time of a Cat Stevens original. It’s another acoustic, bittersweet love song. In fact, I’ll go further than that. It is a thoroughly miserable love song: If you want, I’ll try to love again… As declarations go, it’s certainly honest. He wants her by his side, but only to wipe the tears that he cries… Baby I know, The first cut is the deepest…

Hey, some people are into damaged goods. Again, this ticks all the classy ballad boxes, and Stewart’s voice is as smoky as ever. But, again, it washes over me. Maybe it’s not my thing. Or maybe it’s just dinner party background music. Plus, there’s always the earlier, superior version of ‘The First Cut…’, released by P.P Arnold a decade earlier.

The best double-‘A’ sides have a bit of yin and yang to them. Think of the most famous #2, ‘Strawberry Fields Forever’ / ‘Penny Lane’. Or Louis Armstrong’s ‘What a Wonderful World’ / ‘Cabaret’. Even our most recent double-‘A’ #1 from David Cassidy had two very different sounding songs on each side. Interestingly – here I go again – ‘The First Cut…’ was from a more recent album, ‘A Night on the Town’, making this potentially the only double-‘A’ to feature songs from different LPs by the same artist. (I say ‘potentially’, I have neither the time nor the inclination to check.)

So, we are two thirds through Rod Stewart’s chart-topping career, and it’s been wall to wall ballads so far. Luckily, his last two #1s up the tempo quite a bit. Wahey! It’s not that these are bad songs, far from it; they just don’t scream ‘four weeks at #1!’ to me. But, of course, there’s a good chance that, during the last of those four weeks, Rod Stewart didn’t really have the best-selling single in the land. Controversy ahead, then. More to come…