sting

522. ‘Every Breath You Take’, by The Police

/ UK #1s blog / 10 Comments

We’re back among the classics, after a dubious (though admittedly catchy) detour with New Edition. The Police then, with their final, and their biggest, chart-topper.

Every Breath You Take, by The Police (their 5th and final #1)

4 weeks, 29th May – 26th June 1983

I press play, and before the song is halfway through questions begin to arise. Has this record been dulled by repetition? (At any given moment of the day, a radio station somewhere is playing ‘Every Breath You Take’.) Is it just that little bit too glossy, too polished? Has Sting’s voice tipped over the edge into soft-rock crooning…?

Don’t get me wrong, the opening riff, and the simple but effective chord progression thereafter, is a great hook. It can take its place among pop’s great moments. It’s a record that begins with complete confidence in itself… but I’m not sure it builds upon this strong start. It comes close with the How my poor heart aches, With every step you take… line, which is great. But the rest of the song is a bit cold, a bit clinical and, by the end, a bit boring…

Perhaps the problem’s not musical, but lyrical. It’s become a cliché to point out that this is a stalker’s anthem, but it’s true. It’s not a nice song. Every single day, Every word you say… It’s clearly about a possessive, jealous, and potentially dangerous, lover watching his ex. Yet take the title by itself, with the lines about hearts aching and people belonging to one another, and you can convince yourself that it’s a love song. Apparently it some people play it at their weddings…

I was ready for this to finally redeem The Police in my eyes, to show me why they were the biggest band of the late-seventies and early-eighties, as I’d struggled to love their previous #1s. But it hasn’t… In fact, turns out my favourite is their first: ‘Message in a Bottle’. I just didn’t realise it at the time. I’m in the minority on this, though, it seems – ‘Every Breath You Take’ is a Rolling Stone / Rock and Roll Hall of Fame Greatest of All Time kind of tune. In 2015 it was voted the UK’s favourite ‘80s #1, and in 2019 it was named the ‘most played song in radio history’, taking over from ‘You’ve Lost That Lovin’ Feeling’.

You could compare The Police with another band we’ve recently bid farewell to on this countdown: The Jam. Both rose out of the punk scene in the late seventies to become two of the biggest British new wave bands. Both left their punk roots far behind, but The Jam did so with a sense of exploration – look at the funky ‘Precious’ and the Motown influenced ‘Town Called Malice’. Whereas The Police went down a more soft-rock route, culminating in this monster hit.

And it is a good song, I’m not writing it off completely. But it’s a little too cold, too negative, and too overplayed, to be a favourite. To finish, here’s a very tenuous link between this record, and the previous #1 I mentioned in the intro. ‘Candy Girl’ was the first rap chart-topper… while ‘Every Breath You Take’ will be heavily sampled in what I believe is the best-selling rap single ever released…

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488. ‘Every Little Thing She Does Is Magic’, by The Police

/ UK #1s blog / 9 Comments

Part IV of my ongoing campaign to enjoy The Police more…

Every Little Thing She Does Is Magic, by The Police (their 4th of five #1s)

1 week, 8th – 15th November 1981

I do really want to like their records, but there’s always something holding me back. Something about the production, the jaunty reggae rhythms, Sting’s voice… It just doesn’t work for me. Here, the punky edge from their late-seventies records, ‘Message in a Bottle’ in particular, has gone. In its place are synths, and a very MOR piano line.

All of The Police’s chart-toppers so far have centred on not getting what you want (‘Message…’) or what you want not lasting (‘Walking on the Moon’ and, at a stretch, ‘Don’t Stand So Close to Me’). ‘Every Little Thing She Does Is Magic’ falls into the former category. Sting wants to tell a girl all of the feelings he has for her, in his heart, but… alas.

What usually saves Police songs for me are the choruses. They sure could write a killer chorus. The verses might meander, and the fade-outs may be too long, but the choruses kick. Every little thing she does is magic, Everything she do just turn me on… Even though my life before was tragic, Now I know my love for her goes on… The lyrics may look clumsy when typed out, but it’s such an air-punching moment you don’t really notice.

The rest of the song, though? Meh. Something about the mix is quite stodgy, with the voices buried under the instruments. There’s the piano – unusual for a Police song – and African drums. A stripped-back, more guitar-based version would work better for me. But that’s just, like, my opinion. And it’s something I’ll have to get used to as the 1980s wear on: guitars taking much more of a back seat.

This record, the second single from the band’s fourth album, isn’t a giant departure from what went before, but it was different enough for guitarist Andy Summers to object, both to the piano and to the production. It’s definitely The Police’s poppiest #1. And the reason that Sting’s vocals sound so distant may be because the band played over a demo he had recorded months before. And I’m with Summers on this: something about it doesn’t quite click.

So. Four of The Police’s #1s down, one to go. Will the last one – still a year and a half away – finally be the Police song I can love? Well, actually, yes it will. Because their final chart-topper is a decade-defining classic. Until then, then…