power pop

982. ‘Obviously’, by McFly

/ UK #1s blog / 7 Comments

In my post on ‘5 Colours in Her Hair’, I called it the perfect song for McFly to launch themselves with. Their second single, then, was the perfect song for McFly to announce that they were here to stay.

Obviously, by McFly (their 2nd of seven #1s)

1 week, 27th June – 4th July 2004

‘5 Colours in Her Hair’ was largely Busted under a different name, with a big nod towards the same pop punk sound; though with a much more melodic, classic rock influence. For ‘Obviously’ they keep the melodies strong, but this is much more of an understated record, balanced somewhere between power and jangle pop.

Can a song be instant, yet understated? If so, then this is that song. This made me a McFly fan, and started me on the path of buying every album, seeing them live three times, and buying each copy of Attitude magazine in which they shamelessly gay-baited us on the cover. It’s got a hell of a chorus, especially when Danny and Tom’s voices soar and intertwine towards the climax.

This is also a cut above Busted in terms of the lyrics, in which McFly prove that teenage boys can write songs about not getting the girl without sounding like spoiled toddlers. They’re in love with a girl, but have quickly come to the realisation that they aren’t good enough for her… Cause obviously, She’s out of my league, I’m wasting my time ‘cause she’ll never be mine…

The rest of the lyrics are either quite funny: the girl’s boyfriend is twenty-three, He’s in the Marines, He’d kill me… Or they’re endearingly clunky: I think the only reason they chose to run off to LA in the second verse is because it rhymes with that’s where I’ll stay… Their debut album, ‘Room on the 3rd Floor’ is full of similarly teenage lyrics, and is an LP I’ll always listen to fondly.

The one thing I’d change about this are the strings, which add strangely grand flourishes that a song this simple doesn’t need. Maybe they were worried the song was too subtle after 5CIHH, and wanted some more oomph, but it’s a bit much. In fact, that’s one of my few complaints with early McFly – an over-egging of the pudding in an attempt to prove themselves as a ‘proper’ band. It was worst on their second album, from which they’ll be scoring two more #1s soon enough.

865. ‘Breathless’, by The Corrs

/ UK #1s blog / 16 Comments

Our next number one feels very much of its time – the Corrs were probably playing on at least one British radio station at any given moment between 1998 and 2000 – but also a bit of an outlier among the chart toppers we’ve been working our way slowly through.

Breathless, by The Corrs (their 1st and only #1)

1 week, from 9th – 16th July 2000

‘Breathless’ isn’t dance. It’s not hip-hop. It’s not bubblegum. Instead, we’ve got some good old-fashioned MOR pop-rock. With actual guitars! And it’s a welcome sound!

At the time, as an unsufferable teen, I thought this track was a bit naff. And yes, it has lots of unfashionable touches. There are some cheesy synth fills, revving guitars, and that naggingly catchy (but also pretty annoying) Go-ooh on! Go-ooh on! hook. But the driving riff, and the sheer breeziness of the song wins me over, belatedly. I’m just disappointed that I’d written it off for a quarter of a century!

The fact that I wrote it off, and didn’t pay much attention to it, is probably tied to the fact that, despite being chart-obsessed from the age of eleven, and despite owning every ‘Now That’s What I Call Music’ album between… I think… Now 35 and Now 44; by my mid-teens I’d lost interest. I went from taping the charts from the radio and writing them out in notebooks every week to not really knowing who was who in the Top 10. I knew the big songs, from the radio and from classmates, but couldn’t have told you who was #1 on any given week. This lasted until around late-2002, when my interest in the charts suddenly burst back into life, and has never left!

Anyway, back to the song at hand. It also has some vaguely Celtic touches, which every Irish act had to have at this time, but these are dialled well back from some of the Corrs’ earlier hits. What it reminds me of is Shania Twain’s huge ‘Come On Over’ album from around the same time (now she really should have had a couple of number ones out of that…) It’s no surprise then to learn that this was produced by ‘Mutt’ Lange, producer of, and husband to, Shania. And thanks, presumably to Lange, we are treated to a guitar solo! When was the last time we heard one of those?? (Oasis, a couple of months ago, but you get my point…)

The Corrs are a family group, consisting of siblings Andrea, Sharon, Caroline, and Jim. The three women are raven-haired Irish beauties, which meant the jokes in the playground at the time were mainly at Jim’s expense… ‘Breathless’ was the lead single from the follow-up to the hugely popular ‘Talk On Corners’ album, and so was always positioned to do well. I’m glad it did this well, though, as I’ve been able to rediscover a fine slice of power pop. It represents the pinnacle of the Corrs’ chart fortunes too, as they only managed one further Top 10 hit. They split in 2005, but reformed a decade later and remain a touring and recording concern.