On This Day… 5th January

A very Happy New Year to you all, and a warm welcome back to the UK Number Ones Blog. I hope you had a good festive period, managed to celebrate, relax, and (in my case) catch up with writing about some soon-to-come number ones. Before we resume our journey through the late, late-nineties, I’m debuting a new feature!

The Village People, group portrait, New York, 1978. (Photo by Michael Putland/Getty Images)

‘On This Day…’ will do pretty much exactly what it says on the tin. I’ll intro a few of the records that have been top of the charts on a particular date in history, as well as mentioning a few births, a few deaths, and a few interesting occasions that tie into a particular chart-topper. The hope is that readers will be able to delve into my back-catalogue of posts, and find something I wrote long before they started following this blog. Or people can, y’know, just enjoy the tunes!

First up, number one on this day in 1962, we have a stone-cold classic:

‘Moon River’, from the soundtrack to ‘Breakfast at Tiffany’s’ is one of the great songs of that supposedly fallow period between rock ‘n’ roll and The Beatles. In the film it is sung by Audrey Hepburn, at the Academy Awards that year it was performed by Andy Williams, while an instrumental version by the song’s composer Henry Mancini and a version by Jerry Butler were hits in the US. In the UK, however, it was left to South African-born Danny Williams to have the most succesful version of all. You can read my original post on ‘Moon River’ here.

Meanwhile on this day in 1923, radio host, record producer, and founder of the legendary Sun Records label, Sam Phillips was born in Alabama. He is most famous for his work with a young Elvis Presley, although he also produced Roy Orbison, Johnny Cash, Carl Perkins and many of the other early rock and roll stars. His only contribution to the top of the UK singles chart, however, was this banger:

Here’s my original post on ‘Great Balls of Fire’. If you’re only going to top the charts once, might as well make it good ‘un. Speaking of which, number one on this day in 1979 we have perhaps the ultimate guilty pleasure. There is not a soul alive who hasn’t done the dance to the ‘YMCA’, however grudgingly, and not even the recent gyrations of Donald Trump can truly sour this wedding reception classic. Even more recently, Village Person Victor Willis (AKA the cop) has been threatening to sue anyone who claims that ‘YMCA’ – a song with the lyric: They have everything for young men to enjoy, You can hang out with all the boys… – has any homosexual connotations. Whatsover. No sirree. To which we can all say, ‘Okay honey…’ (Original post here.)

In sadder news, on this day in 1998, Sonny Bono died following a skiing accident in Nevada. He was of course the singing partner, and former husband, of Cher, with whom he enjoyed his sole chart-topper ‘I Got You Babe’ in 1965. I wrote about it, the 201st #1 single, way back in 2019.

Finally, one of the least likely number one singles of all time was sitting astride the charts on January 5th 1991. Early January is a bit of a dead zone for chart-toppers, as in most years the Christmas leftovers are still clinging on top with little competition. Iron Maiden spotted an opportunity, and released ‘Bring Your Daughter… To the Slaughter’ in the final week of 1990. Their devoted fanbase, as well as the publicity of knocking the God-bothering Cliff Richard’s ‘Saviour’s Day’ off #1, delivered the heavy metal legends their biggest hit. (Original post here.)

I hope everyone enjoyed this new feature, and won’t mind if it pops back up ever few weeks. I’m also going to be doing more regular posts on cover versions, number two singles, ‘Remembering’ features, ‘Best of the Rests’ and ‘Today’s Top 10s’, as well as a new look at the ‘B’-sides to famous number ones. The main focus will of course still be on the chart-toppers; just a little more regularly interspersed with interesting detours through chart history!

Here’s to a great 2025!

131. ‘Moon River’ by Danny Williams

Before we begin our next post, can I take a moment to praise the year that has just been? The year that this next #1 single will bring to a close. I know it isn’t time for a recap, but 1961 has been an unprecedented year in terms of the breadth and depth of its chart-toppers.

The twenty-one number ones from this year have taken us from gloriously pure pop (Johnny Tillotson, Helen Shapiro) through to tongue-in-cheek pastiche jazz (The Temperance Seven), from doo-wop (The Marcels) to pure rock (The Everly Brother’s ‘Temptation’), from the sublime (‘Runaway’) to the ridiculous (‘Wooden Heart’). There’s been room for piano instrumentals from Floyd Cramer, guitar instrumentals from The Shadows and showtunes from Shirley Bassey. There’ve been a couple of crooners – Frankie Vaughan and Eden Kane – and we’ve even found time for two ‘death-discs’ and a spot of collegiate folk. We’ve also had glimpses into the future with electronic solos on the Musitron and Joe Meek twiddling his dials. And the fact that all this has managed to shine through in a year utterly dominated by The King of Rock ‘n’ Roll, and his eighteen weeks at the top, is just superb. 1961, I take my hat off to you. My favourite chart year so far, by miles.

And to finish the year off we have room for one more. An absolute classic…

Danny Williams

Moon River, by Danny Williams (his 1st and only #1)

2 weeks, from 28th December 1961 – 11th January 1962

Moon river, Wider than a mile, I’m crossing you in style someday… Oh dream maker, You heart breaker… Wherever you’re going, I’m going your way… It’s a song, and a voice, drenched in a romantic echo – an evocative song, that really does lull you into imagining that you’re drifting down a river, water flat as glass, the moon a white diamond in the sky… I’d say that it’s the atmosphere that pervades this whole song – that haunting melody, rather than the lyric – which has made this such a famous record.

Because, for perhaps the first time in the entire countdown, I’m not terribly sure what the actual lyrics of this song are about. Two drifters, Off to see the world… OK, I can picture that. We’re after the same rainbow’s end, Waiting round the bend… And I get that they’re floating downriver to some unspecified destination. My Huckleberry friend… Which I’m guessing is a reference to one of literature’s most famous river-floaters, Huck Finn. Moon river, And me…

OK, in actual fact I do get what the song’s about. But – it is still pretty abstract, very poetic, in a way that, say, your average Elvis song isn’t. It’s also got an air of old-Americana that to me, as a small-town Scot, sounds very alluring and exotic. When the backing singers take-over for the final verse it sends a shiver down your spine. This is a standard – a song that could have been a hit in any era.

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‘Moon River’ is, of course, from the film adaptation of ‘Breakfast at Tiffany’s’, sung originally by Audrey Hepburn, sat in a window, plucking at her guitar. But in 1961-’62, there were a lot of versions of ‘Moon River’ to choose from – you could have had the instrumental version by the song’s composer Henry Mancini, Jerry Butler’s version – which was the first one to hit the charts, the definitive version from Andy Williams… This Danny Williams version, which claimed a fortnight at the top in the UK, is pretty far down the list. Williams was a South-African born crooner who didn’t do an awful lot more, in terms of chart hits, than cover this song.

I have to admit: I like this song, I respect it, I admire it… But I can’t bring myself to love it. It’s beautiful; but it’s not a warm beauty. It most reminds me of Tony Bennett’s 1955 #1, ‘Stranger in Paradise’, which had similarly flowery lyrics and dwelt on similarly abstract themes. Also, it’s been a while since I saw it but I really have no idea what the song’s relevance is to a movie about a party-hopping socialite in New York.

Maybe we’re not meant to understand. Maybe we should just stand back and appreciate ‘Moon River’ for what it is – a piece of art too valuable for plebs like me. And as we stand there, lulled by its haunting strains, we can look ahead to 1962, and hope for as much variety and innovation as we had in the year just past…