937. ‘The Long and Winding Road’ / ‘Suspicious Minds’, by Will Young & Gareth Gates

After two solo number ones apiece, it was surely inevitable that a Pop Idol Top Two duet was on its way…

The Long and Winding Road / Suspicious Minds, by Will Young & Gareth Gates (their 3rd of four #1s each)

2 weeks, from 29th September – 13th October 2002

And after two solo number ones apiece that I’ve tried to make the best of, and in some cases quite enjoyed, it was surely inevitable that my patience would run out. It’s not just that it’s the sixth Pop Idol #1 in barely six months, and it’s not just that they’re desecrating both the Beatles and Elvis. It’s both those things, but also the fact that both these songs are sooo very dull.

Their take on ‘The Long and Winding Road’ starts off as the sort of lounge-pop that male-female duos perform in the background of posh hotel buffets, under strict instructions to be as bland and inoffensive as possible so as not to distract people from their lobster. It picks up a little, and the harmonies are nice, but I’m not sure I’ve ever heard it before. Which is odd for a two-week number one in 2002, when I was amid one of my chart-watching phases. Or it’s entirely possible that I’ve just forgotten.

Interestingly – potentially the only interesting thing about this record – that song is a duet while the other is left entirely over to Gareth. His cover of ‘Suspicious Minds’ featured on the soundtrack to Disney’s ‘Lilo & Stitch’, and is bad in a completely different way. Although Gareth Gates is not vocally on a par with Elvis (newsflash!), it is upbeat, it is perky, and it sounds like he is having fun. But it has that classic, syrupy, karaoke production that reality TV singing shows will became famous for, with any potential edge polished away to nothing.

I’m not one for venerating the sacred cows of pop. I say have at them. One of my favourite covers of a Beatles song is Tiffany’s clattering ‘I Saw Her Standing There’. And of course Elvis’ and the Beatles’ back-catalogues is filled with covers, of varying quality. But for God’s sake, do something interesting. Add something to the conversation, for better or worse. It’s not as if ‘The Long and Winding Road’ is many people’s favourite Beatles’ song in the first place. And while ‘Suspicious Minds’ is an undisputed classic, Fine Young Cannibals proved that it was possible to reimagine it and not piss off too many people. Hell, even Will Young’s cover of a cover of ‘Light My Fire’ had something interesting about it.

But then ‘something interesting’ isn’t often in the remit of Simon Cowell and his production team. You do wonder if the choice of artists being covered here was intentional trolling, but I suspect it was just further proof of a lack of imagination. We’ll do Elvis and, um, The Beatles! This was still actually quite avant-garde for a Cowell release. If he had his way, he’d probably be happy with a never-ending parade of ‘Unchained Melody’ covers.

I imagine Gareth was happier than Will when doing these covers, but that’s probably based on the direction their careers went in the years after Pop Idol. 2003 will bring one final chart-topper for both, and these songs will give a clearer indication of what lay in store for either boy.

931. ‘Anyone of Us (Stupid Mistake)’, by Gareth Gates

Well, here’s a surprise. ‘Pop Idol’ runner-up, and one of the clearest cases of pop puppetry ever unleashed on the world, Gareth Gates’ second single is… pretty good?

Anyone of Us (Stupid Mistake), by Gareth Gates (his 2nd of four #1s)

3 weeks, from 14th July – 4th August 2002

It starts off unpromisingly. A piano riff that brings to mind Westlife at their most maudlin leads us in. But soon Westlife are discarded for an intro that sounds more like peak Backstreet Boys (it flirts very heavily with ‘I Want It That Way’). Then bang: a chorus that could have competed with anything on Britney Spears’ first couple of albums.

Of course, these references were three years old by 2002, which perhaps gives away the fact that this is an already somewhat dated pop song. But that’s all forgiven as the chorus washes over us: It could happen to anyone of us, Anyone you think of… I think this is a fine song, one that would be better remembered if it had been recorded by somebody else.

It loses its way a bit in a meandering middle eight, but it gathers itself for a mid-line key change, and soaring finish. My only other complaint would be that it sounds perfect for a festive-ballad release, not for the height of summer. Not that it was hurt by its release date, with three weeks on top and 600,000 copies sold; but imagine this with added sleigh bells and tell me if it doesn’t scream Christmas number one.

With singing contest winners/runners up it was all about the second single. The debut single was guaranteed to be a huge hit; and also guaranteed to be crap. But once that obligation was fulfilled, it was always interesting to see what direction they would go in. I’d rate this ahead of Will Young’s cover of ‘Light My Fire’. But sadly Gareth Gates wasn’t given many more singles of this quality, as his upcoming #1s will attest.

I also have a soft spot for love-songs-that-aren’t-really-love-songs, and this is a classic of the genre, with Gareth rather smarmily admitting to an affair. The situation got out of hand, I hope you understand… Whether or not this song came before, during, or after Gates’ famous, virginity-robbing romp with Katie Price, I do not know. But I like to imagine him singing it to his pre-fame girlfriend, presumably a homely Bradford lass. Though I’m not sure if “it could happen to anyone of us” is ever the best way to open an apology…

I’m going to crown this as the best of the reality TV number ones so far (this is the seventh), narrowly ahead of Liberty X. And I’m going to try and keep ranking them for as long as possible. Which will be difficult, as there’s so bloody many of them. Including our very next chart-topper…

922. ‘Unchained Melody’, by Gareth Gates

The winner of Pop Idol gets knocked off number one… by the runner-up. Yes, roll your eyes, it’s an understandable reaction; but you’d better get used to this level of domination.

Unchained Melody, by Gareth Gates (his 1st of four #1s)

4 weeks, from 24th March – 21st April 2002

Gareth Gates had been the frontrunner for much of the first series of Pop Idol, and was the bookies’ favourite going into the final. But I’d say that the public chose the right winner on the night. Will Young has a memorable voice, one you can pick out of a crowd. Gates has the voice of a decent-enough pub karaoke singer.

Luckily for him, his debut single was ripped right from Simon Cowell’s karaoke playbook. ‘Unchained Melody’ is either an inspired choice – it had worked for Robson & Jerome, and if it ain’t broke – or the most mind-numbingly unimaginative one. Why did we need yet another cover of it, the third one to top the charts in less than twelve years? At least Will Young was given a couple of ‘originals’, even if they were very dull. Although if one thing’s clear after the age of X-Factor, it’s that Simon Cowell has a very limited, if indeed any, imagination.

At least the song is shuffled around a little, starting with the lonely rivers bit. It means it does catch the ears, at first. But as soon as the tune comes in properly, it dissolves into mush. Is this better or worse than the R&J version? Or is that question moot as long as you can put on the Righteous Brothers instead? There was of course another number one version, Jimmy Young’s 1955 hit, which was literally the melody from the movie ‘Unchained’. This record of four different chart-topping versions of a song still stands, though it has since been matched by two other tunes.

I will have to admit that this record, when I was sixteen, was the first time I had really encountered ‘Unchained Melody’. I’m sure I already knew it, but the radio airplay of this version really hammered the song home. And I did quite like this version… For a week or two, at most, I assure you.

What’s interesting to see is that, in truth, and unlike later singing contest series, it didn’t matter whether Gareth Gates or Will Young won the final. They both enjoyed the success of winners, matching one another hit for hit, at least for the first year or two of their careers. Gates was only seventeen when he made the final, and he had the now contractually obliged reality TV sob-story: a stammer that only went away when he sang. Though I don’t want to belittle a genuine affliction, it does amuse me that his oblivious parents gave him the possibly the worst name ever given to someone with a stammer.