Our next number one reminds me of something… Glossy, confident synths. Broad power chords. A former frontman going solo… Ah yes… It takes me all the way back to two chart-toppers ago, and Midge Ure’s ‘If I Was’.
A Good Heart, by Feargal Sharkey (his 1st and only #1)
2 weeks, from 10th – 24th November 1985
I do like the intro here. In fact it might be my favourite part of the song, the way that it gives the feeling of racing down a motorway, with the chiming guitars sounding like cars flying past in the opposite direction. I have no idea if that’s what they were going for, but it’s great. Really great, until Feargal Sharkey starts singing.
And this is no slight on his voice, which is fine. A lovely Northern Irish tenor. But I’m a big fan of The Undertones, and to hear Sharkey’s voice so far away from the pop punk I love is just kind of weird. His blue-eyed soul in the bridge: Well I know, Cause I learn a little, Every day… is at once impressive, and disconcerting. It sort of proves the point I made last time, when writing about ‘The Power of Love’: for whatever reason, I can swallow heartfelt and earnest much more readily when it comes from a female singer.
Away from the vocals, ‘A Good Heart’ falls into the same trap as ‘If I Was’. It’s a little full of itself, a little burdened by the weight of what it wants to be. I’m not sure why everyone was getting so serious in the autumn of 1985, but AOR was clearly the order of the day. I’m starting to long for a cheesy boyband… (OK, I may have sneaked a peek at who’s up next.)
My second favourite part, after the intro, is the echoey guitar in the solo. AOR it may be, but at least the ‘R’ really does stand for ‘rock’ in this record. The bassline is pretty cool, too. On the whole, I like this. I like it better than ‘If I Was’, at least, which seems the obvious comparison. (I’m still undecided, though, on the very strange adlibs, both by Sharkey and by his backing singers, in the outro…)
But then I’m tempted to imagine if Feargal (it’s pronounced ‘Fergal’ btw – I just had to check) Sharkey’s one and only #1 had come with The Undertones. ‘My Perfect Cousin’ at number one! Or ‘Get Over You’. Or even ‘Mars Bars’! Or, of course, ‘Teenage Kicks’… And then I remember that that will get to #1, eventually, and I weep for what became of it…
This is by far Sharkey’s biggest solo hit. He moved into the business side of the music industry in the ‘90s, even turning down the chance to re-join The Undertones in 1999. He’s done OK, though, receiving an OBE for services to the industry. Meanwhile, this record also brings together a past and a future chart-topper: Dave Stewart of Eurythmics produced it, while Maria McKee – her number one still a few years away – wrote it.